If your indie-snob resume is complete, you have a section outlining your personal thesis on Pavement. Most folks -- even those that never really got into the records -- have a hard time arguing against the undeniable influence Malkmus & Co. had over just about everything we listen to now. more ›

Austin's own Weird Weeds spent seven months in the studio working on their latest full-length, I Miss This, and by their own admission, the effort asserted towards this record is by far the most intense in their history. One listen demonstrates their devout attention to detail in regards to both production and songwriting amply. "Red" oozes thick guitar dirges, sweetly tempered percussion and odes to Indian sitar harmonies (and carefully executed dissonance) with equal precision. more ›

Baltimore duo Victoria Legrand and Alex Scally, who record as Beach House, have perfected a genre unto themselves which you might call “love songs for ghosts.” Songs drift by in a haze nudged along by dusty drum machine beats, Scally’s sleepy guitar figures, and Legrand’s glassy organ playing and hypnotic vocals, which could be described and melodramatic if they sounded like they were produced by a living person. more ›

It's official: Lou Reed is the keynote for SXSW music 2008. His speech will be held in conjunction with Julian Schnabel’s film Lou Reed’s ‘Berlin,’ which documents a recent performance of the landmark 1973 album. more ›

Between now and January, New Release Tuesday will focus on 2007 reflections and music news related to both this year's releases and 2008's potential. The standard NRT posts will resume in 2008. As 2007 winds down, most of the Internet begins to consider their favorite releases of the last twelve months. Austinist is no different: our top albums of 2007 (a collective list based on all the writers' top picks) is in the works.... more ›

Vote y'all. Then go buy records. Here's what's new today: Pavement Wowee Zowee: Sordid Sentinels Edition (Matador) Pavement's 1995 masterpiece came on the heels of Crooked Rain, Crooked Rain, a decidedly more radio-friendly album. Pavement fans who dropped the needle on "We Dance" expecting some sort of answer to "Silence Kit" or 120 Minutes darling "Cut Your Hair" were probably surprised, but not disappointed (in time). Malkmus took a certain pride in alienating critics,... more ›