SXSW Film Preview: For the Love of Movies: The Story of American Film Criticism
Thanks to yelpers, rotten tomato throwers and a veritable uprising of basement bloggers, the old saying has become truer than ever before: Everyone’s a Critic.
Exploring this modern trend (and taking the time to remind us of pre-blog America) is the 2009 SXSW Documentary Feature For the Love of Movies: The Story of American Film Criticism, which calls movie reviewing a “profession under siege.”
No End In Sight Advance Screening
This Thursday night, the Alamo will host a special advance screening of the new documentary No End In Sight. The film (which won the Special Jury Prize at Sundance earlier this year) paints a grim picture of the current situation in Iraq, and suggests that key errors in policy and strategy have caused a slow but certain spiral into chaos in the war-torn country.
Elsewhere in the Ist-averse
As we sat down to write this week's Best of the -ists post, a car blaring "21 Questions'" passed by our house. And that started us thinking about how some of the best -ist posts out there have at their hearts questions, some of which are answered, and some of which are left open. Check out the Best of the -ists from this week, and see if you agree. Londonist answers the questions "How much...
Screenings: I Am a Sex Addict at the Dobie
We know a good movie title when we read one. Just knowing that I Am A Sex Addict is meant in the driest, deadliest-of-deadpan, classic-Woody-Allen humor in every respect makes the draw that much more irresistible. Almost an. . .addiction, we might say. In a wonderfully original approach to autobiography, Caveh Zahedi's film weaves documentary, re-enactment narrative, behind-the-scenes glimpses and animation to create an unflinching look at his penchant for sex with prostitutes and his...
A Gaudy Vomitorium Of A Movie
We were desperate to see a new movie this weekend, and as the film industry seems to have turned its back on the kind movie-going public, our pickings were slim. We didn't particularly want to see Rob Zombie's new movie, The Devil's Rejects, but it was playing at a convenient time and at a convenient place, and we were conveniently under the influence of something that caused our ability to judge things to be somewhat impaired. In other words, we were in the target demographic.

