Results tagged “redriver”

Austinist will be bringing you unprecedented coverage of the festival each day, as well as some interviews and introductions to the bands leading up to day one. Don't miss our review of Propagandhi's latest release Supporting Caste, and stay tuned for more - including some giveaways. Heck, let's start now. Follow the jump for the festival's complete lineup and venue list, and register to win a pair of tickets to the Thermals and Shakey Hands show Friday, May 22 at Mohawk. We've already given away one three-day pass to Emo's, and we'll be doing that again very soon.

Today, Fun Fun Fun Fest announced the afterparties that will be sprinkling the Red River music district over the weekend of November 7-9.

What can you say about Tel Aviv's Monotonix playing at Mohawk last night? It was a blur. Not just a blur of moments and drinks ordered between songs, but a blur of who was holding you up against the mass of dancing, shouting, screaming bodies who threw beer as if dollars had lost no cents, as if we weren’t in a financial crisis

SXSW Music kicks off on Wednesday the 12th, as always with the Annual Austin Music Awards at Austin Music Hall, but it has become clear over the last few years that the music really starts the night before. Just thinking back to last year, we remember walking up and down Red River, watching bands like Golden Bear, White Denim and Broken Teeth at venues such as Beauty Bar, Emo’s and Red 7, and congratulating ourselves for getting started early.

Saturday Saturday Saturday! It's a bounty of goodness unlike anything most people of privilege (or non-privilege) have seen, seeming that it is filled not only with SXSW's usual wealth of day-funs and joys and diversities, but that it is also privy to the wonderment that is Mess With Texas 2, a noon-to-ten cornucopia of music and comedy at Waterloo Park. It's sort of like a day of Fun Fun Fun Fest plus comedy minus the price plus the knowledge that there's great stuff going on everywhere else as well. So let's get to it, and all the other great stuff going on EVERYWHERE, shall we? Mess With Texas 2 @ Waterloo Park At this event, it's almost ridiculous what a wide range of musics you'll be able to see, from electro-folk to softcore-punk to anti-pop to alterna-world to whatever-other-hyphenated-genre-you-could-possibly-fabricate. Headlining are the Kim Deal-led Breeders and late-nineties punk-stars NOFX, but they are just icing on the cake of a day that features acts as intriguing as the inimitable Islands and the ever-so-subtle Atlas Sound. And, take a deep breath, because also lining up on one of the three stages is rise-from-the-ashes-via-Juno story Kimya Dawson, the mysteriously-spelled Wooden Shjips, hype-machine Simian Mobile Disco, quick risers Yeasayer, Monotonix, and No Age. And in case you haven't already caught them, this may be a convenient time to check out local respectables Shearwater and White Denim. Seriously, though, that's a ridiculous list already, and it's really just the beginning. And it's free, for God's sake! And there was some comedy at this Mess With Texas thing, too, right? Yeah, you can expect some laughs from the likes of Janeane Garofalo, Brian Posehn, Todd Barry, and Eugene Mirman, among a veritable slew of others. Make sure to get there before the sun goes down if you want to check that out, though, because we all know humor goes best with some sunshine.

Another day, another long list of long list of web-darling music acts and their attendant corporate sponsors.

So the time is ripe for the 2008 SXSW Music Festival and what better way to lead into that madness than with a host of quality bands at Emo’s to kick off this weekend. Friday marks the CD Release show for local outfit What Made Milwaukee Famous. Officially released on March 4th, What Doesn’t Kill Us will be available for purchase during the show; the album finds the band maturing into a polished rock act while maintaining their keen ear for pop melodies, their expert arrangements of well-crafted tracks, and their penchant for catchy guitar hooks. Check out the video for “Sultan” off the new album via YouTube here.

This is what SXSW free day parties are all about. Twelve bands, two venues, and short sets so that you can see as much as you can stomach. Forcefield and Terrorbird are having their blow-out at Emo’s and Emo’s Jr. on the first day of SXSW, kicking things off with quite a bang.

They Might Be Giants have been making music as a band since 1982. Their odd but endearing mix of accordian, saxophone, and guitars coupled with witty lyrics earned them a huge college radio following from the mid-80's on. Songs like "Don't Let's Start" and "Birdhouse In Your Soul" even became hits, and the duo toured and recorded ad infinitum. A second chapter of their story is quite unusual: TMBG are now famous in children's circles. In 2002, the group released "No!", a kids record they had recorded years earlier for fun. The record was a surprise smash, leading to deals with both Disney for a series of children's music CD's and Simon and Schuster for the CD + book Bed, Bed, Bed (which also features a pre-Juno Kimya Dawson). Having conquered the grownups and the kids, They Might Be Giants have also become in-demand composers for TV, doing the themes for "Malcolm In The Middle", "The Daily Show", and even some Dunkin' Donuts ads. We're unsure when the group sleeps, because they seem to be awfully prolific.

Polls are open from 7am to 7pm.

Built to Spill’s Doug Martsch speaks on evil record companies, Phil Collins, the ugly faces of politicians, shitty guitar solos, future collaboration with Modest Mouse, and old reggae guys getting high. Alright, so Built to Spill is one of the greatest, most influential, and most acclaimed bands of the past fifteen years. There's really no way around it. And for those of you who are a little late to the love-in, here's a very small sample of some of the things that have been said about them:         "A band whose talent and proficiency at times seem[s] boundless." --Pitchfork Media         "Flawless." --Trigger Magazine         "In short, he's a talent more people ought to know about." --Rolling Stone, on Doug Martsch         "Better than getting laid, finding God and winning the lotto combined." --San Francisco Weekly, just last week when discussing their live performance

Austinist & Gothamist are proud to announce our SXSW day party, taking place on Wednesday, March 12 at the Mohawk. The party kicks off around 11 a.m., and the day ends at 6, but not before Shout Out Louds, Shearwater, Liam Finn and Phosphorescent perform. As usual, the party is free, open to all. See you then!

Kick off this weekend early on Thursday at Antone’s with music from Black Joe Lewis, Bankrupt and the Borrowers, and The Best Love In Town on the special occasion of The Versatile Syndicate’s “Launch Party.” The entity is now open for business, and their agenda is to aid any artist in pursuing their dreams and professional development via booking/tour management, consulting, live production, and so on. This event is a part of the Austin Music Foundation’s Love Austin Music Month and cover for AMF members is $5. The rest of us mere mortals can get in for $10. The shindig also marks AMF's 6th Birthday; free cake and food (courtesy of Whole Foods Market) and free 2008 She Rocks Calendars while the goodies last.

Let's not mince words: when Cat Power comes to town, it's pretty much mandated by law that you attend. This is because not only will you be able to witness one of the most shockingly talented vocalists in the world, but you also may learn a thing or two. For those who don't remember, let's do a brief recap of what we learned last time the timeless (and timelessly eccentric) soulstress was in town: that Chan Marshall, the woman behind the voice, is on steroids, that she was born deaf, that she wants to shoot her monitors, that she likes to apologize to the crowd, that she was born deaf, that steroids make you angry (and that's why they make you stronger), and on and on she went with her pearls of wisdom. Pretty much, she's a spectacularly unpredictable bounty of non-sequiturs and stunning musicianship.

For years, the Austinist staff has fielded queries from friends and acquaintances about SXSW goings-on. "Can I walk to The Salt Lick?" "Does it really take 90 minutes for a Casino El Camino burger?" But most of all: "What showcase do you recommend to see some good new bands I don't know about?" This year, we've made the answer official. Austinist is presenting an official nighttime showcase featuring six different American acts at Spiro's on Thursday, March 13. We've done a lot of listening to different bands and entire showcases, and believe that this one has great potential to impress you. The roster:

When the band Minor Threat dissolved, lead singer Ian MacKaye famously declared he wanted his next project to sound "like the Stooges with reggae.” For about fifteen years, Fugazi was that band, whose atypical sound and grounded approach to touring and performing have made them legendary, and nearly deistic to their many granola-punk followers.

After Van Halen, Bruce Springsteen, Radiohead, and Jay-Z all elected to skip Austin on their spring US tours, it's not unreasonable to feel that our music-loving town seems to be off the radar of the arena pop and rock circuit. This despite a perfectly functional (if rather dated) basketball arena smack in the center in town. Thankfully, the Louis Vuitton Don Kanye West agrees with you, and has elected to show Austin some big-production love with a date here at The Frank Erwin Center in late April.

Caroline Kennedy will be at Serrano's this afternoon to campaign for Obama.

The Black and White Years are not merely a group of affable gents - as Austinist discovered in a recent interview - they're also way into creating compelling pop morsels that eschew immediate categorization and confound otherwise severely judgmental blog-journalists.

Monochrome is having a big night this Saturday, with the rebellious flower-punk of Atlanta’s Black Lips coming together with our own freewheelin’ sons of garage rock, White Denim.

Sonic Boom (a.k.a. Peter Kember) makes his 2nd appearance in Austin within the last six months at The Mohawk on Saturday. Since our city regularly hosts acts numerous times in a year, this might not seem too extraordinary. But this is no ordinary act -- Sonic Boom was once part of the legendary British outfit Spacemen 3 whose psychedelic innovations influenced many of the bands you might listen to today.

If you love booze and cinema, well, have we got a deal for you. Cine Las Americas, Austin's own multicultural, non-profit media arts center, will be holding Chicha 56, a combo happy hour and after party fundraiser to benefit this year's programming. The event comes a mere 56 days before the Cine Las Americas International Film Festival kicks off.

A season ticket for the Longhorns' seven home football games this year will cost you $385, according to the Statesman's Bevo Beat blog.

The Mohawk presents a solid double bill of local pop this evening. The Lemurs have been writing new material over the last few months and a handful of those songs will be included in their set tonight. The band enjoyed a stellar 2007 -- highlights included licensing their music to NBC show Las Vegas (as well as an Australian indie flick called Newcastle) and touring with Canadian act Stars. This past Sunday, ME Television telecast a 2nd ME Live! featuring The Lemurs' shimmering melodies in concert at a recent La Zona Rosa gig.

The iconic Grant Hart, of well-earned Hüsker Dü fame, headlines for Grand Champeen and The Service Industry tonight inside the Mohawk. Hüsker Dü, for those of you who don't remember, or are merely too young to have been a part of their revolution, were one of the most influential hardcore punk bands in history. Not only were they one of the first underground successes to sign to a major label, but they were the first group to truly weave melody into the greater punkrock mentality. Basically, without their influence, we wouldn't have had bands like the Pixies, Green Day, and some little garage outfit called Nirvana. And Grant Hart, my friends, was Hüsker Dü's drummer and part-time songwriter.

Hey everybody, we're giving away two tickets to the Liars/No Age show at the Mohawk on Saturday! Winners are also invited to a late Happy Hour (8-8:30) with Liars before the show. Details and concert entry form after the jump...but first, backstory:

Sunday night may usually be time for relaxation, for winding down your weekend's bunch-o'-bliss and preparing for the drudgery of Monday and all the muck that follows it. Sunday night may usually mean propping yourself up with a stick, so exhausted from all yer football-inspired whoopin' and hollerin'. Sunday night may even be a time of penance. But this Sunday night, get ready for a change of gears and an old-fashioned opportunity to headbang, because Dead Meadow and Black Mountain are delivering a sea of drums and guitars and outright ferocity to this usually staid part of the week.

New York songstress Nina Nastasia stops by the Mohawk tonight at the near-beginning of what will become a sprawling world-wide tour, meeting up with Denton's well-liked Tre Orsi and the local Silver Pines in the process. Nastasia has garnered herself quite the underground momentum, moving from humble roots as an untethered musician wandering her way through the dimly-lit club scene, to an artist with international demand and the respect of idolized names such as producer Steve Albini and Dirty Three drummer Jim White. Her debut album, Dogs, is impossible to find and is futilely sought in a way not unfamiliar to Belle & Sebastian's debut cut, Tigermilk. But she's not just a machine for hype---she plays some pretty fine music, too, using her acoustic guitar and a knack for captivating storytelling to cut through the muck of singer-songwriter-dom to create a niche all her own. And that niche has her and her band being called everything from "remarkable" to "enrapturing" to "inspired" by critics.

Our Indieroke night returns this Tuesday to The Mohawk. What started out as a one-off fling with rock stardom has turned into a monthly gathering of like-minded folks craving that fleeting moment of exhilaration. If you haven’t made it to one yet, we strongly recommend getting there in a timely fashion to get your name and song on the list early…and often. (You know who you are!) We will have multiple song list books going forward to ease that pain.

With the geographic world continuing to shrink in the 21st century and the increased ease of travel and communication opening new doors every day, today’s musical landscape is constantly evolving. Instruments from other cultures have always been utilized in western music, but of late, world styles are making major dents in the indie scene. Be it Vampire Weekend’s African accentuation, M.I.A.’s Bollywood beats, or Beirut evoking adventures in far off lands, we have been privy to some choice innovations in this decade. New York based Gogol Bordello’s brand of “Gypsy Punk” (falling in the geographic vicinity of Beirut’s concoctions) has been garnering momentum with the release of 2005’s Gypsy Punks: Underdog World Strike and last year’s Super Taranta!