When one writer critically examines another respected author, readers should be skeptical. In Notes on Sontag, Phillip Lopate reflects on Susan Sontag’s essays, book-length nonfiction and fiction. He works from his strength as a personal essayist: intimate, balanced, and a generalist. Lopate’s appreciation of literature keeps the focus on her writing and not her personality. In fact, he cautions this is not, “Thank God,” a biography. He does, however, interweave some personal encounters with this fellow New Yorker. More significantly, he digs deeply into her writing. He quotes widely and at length from her body of work. And he chooses wisely. Look at this Sontag gem from an essay on Nazi symbols: “The color is black, the material is leather, the seduction is beauty, the justification is honesty, the aim is ecstasy, the fantasy is death.” Throughout, Lopate writes honestly, as readers should expect from an essayist, on her strengths and weaknesses as a writer. more ›