Uneasy magenta noise starts to creep through the creaky, sepia gaps in “Mr. Sandman’s” tapestry. This is Chairlift's walk-on music. Crushes on time-faded pop pastiche punctuated with a sharp aftertaste - such as they are. They look like wolves in American Apparel clothing. Polachek sports a long, billowy dress, buttons shooting up the front middle, porcelain limbs soaking up the room. Wimberly’s hair is a sleepyheaded mess, ruffled in a steely teengirl fantasy tangle. This is your 21st century band. Stream-sewn pop with fashion, technology and grace - the living-room friends recruited for drums, bass and keyboards seemed like the chicest people in Brooklyn.
Chairlift, Nite Jewel, and Bell at Mohawk [Show Photos and Review]
Interview: Nite Jewel
Using her home-recording smarts and a background of musical training, Ramona Gonzalez - or Nite Jewel - is coming into her own, graduating from nights alone recording into “shitty” gear to an ambitious approach that now includes a full band, a real studio, but those same palatable retro grooves that feel like the best distilled from the '80s seen through a new prescription. Gonzalez spoke about her surprise appeal, "Star Search," and things of that nature all before she heads down here with her band to play SXSW.
Tonight: Deerhunter (!!!) and Times New Viking at Emo's
Okay, Deerhunter, Deerhunter, Deerhunter. Where oh where do we begin to discuss such a spectacular, unclassifiable, confounding, excellent, inexplicable act? Do we begin with Bradford Cox, the impossibly lanky (read: lanky like crazy lanky) frontman? The frontman who maintains what quite likely is music's most accidentally inflammatory blog, and who puts his ever-honest foot into his mouth on a regular basis? The frontman who has been known to wear sundresses while performing, and is prone to bouts of both joy and breakdown? The frontman who is amazingly generous to his fans, and who is so prolific that he wrote three whole albums this year? Or do we begin with those albums themselves, two of which were released under the Deerhunter name? That Microcastle is practically unquestionable in its quality, and seems likely to find itself near the top of many best-of lists? Or that its companion album, Weird Era Cont., a supposed toss-in, is pretty fine itself? Or do we discuss the very good band, beyond its idiosyncratic lead singer? Or should we just cut the questions altogether and just say we circled this date on the calendar three months ago?

