Lest this come off as a negative review, let’s get a few things straight up front about Capital T Theatre’s production of Killer Joe, currently playing at Hyde Park Theatre. The acting is across the board spot-on. The set, co-designed by Mark Pickell and Tommy Grubbs, is nothing short of spectacular in its authentic, exquisite disgustingness. And Pickell, who also directs, is clearly a man who understands timing, suspense, and recognizes that kid gloves have no place in the staging of this piece.
That said, a warning to the faint of heart, past victims of violent crimes, and sufferers of PTSD: you might be better off going to see a matinee screening of UP. Because Killer Joe is, even in its lightest moments, about as light as a pile of bricks buried under a slurry mound of wet cement. And then, as the plot thickens, so, too, does the concrete, until you feel your innards tighten and your organs harden at the spectacle before your eyes. It’s like somebody took MacBeth, All in the Family, and Sylvia Plath, tossed them in a blender, and splattered them inside a beat to fuck trailer out in Dallas County.
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Review: Killer Joe at Hyde Park Theatre
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