If you were there to see the many downright amazing clips featured in “You’re Looking at Country,” a Music Mondays presentation at the Drafthouse a few weeks ago hosted by Dallas Wayne, among live performances by Faron Young, Willie Nelson, Loretta Lynn and more was The Man in Black himself, Johnny Cash, pickin’ his big hit “Get Rhythm.” more ›

This week’s installment of Music Mondays at the Alamo Drafthouse at the Ritz is all country, all the way. You’re Looking at Country, a film that shares the name of a Loretta Lynn song, is a look back on that golden age of country and western music when George Jones, Johnny Cash, and their ilk ruled the airwaves and parlayed their fame into television spots and even shows. Dolly Parton, one of SXSW’s most anticipated performers, also makes appearances in the film, as does Lynn and many, many more. more ›

Jerry Naylor would have been famous. He could have been and probably should have been. Jerry Naylor was there when rock 'n roll was born, sweating out those devil rhythms in Texas honky-tonks and rubbing shoulders with boys like Elvis Presley, Carl Perkins, Johnny Cash, Roy Orbison, Jerry Lee Lewis and Buddy Holly — all who would become men of legend. He saw a musical revolution fueled by youth and a fusion of country, blues,... more ›

Jennifer Nicely cites many of country's solid gold heroes as her influences, but she has publicly professed her love for female jazz vocalists including Nina Simone and Billie Holiday. The influences show: her voice has the rich tone of a seasoned lounge singer who's spent too many nights singing her heart out for the indifferent audience, and her music relies on the steady walking beats that have characterized so much produced in the wake of... more ›

If you don't already know about Nick Lowe, it's time you found out. The quick and dirty: He's been around since the mid-'60s, playing a mixture of country, rock, blues, and pop. His first band Brinsley Schwarz is constantly noted as a major influence on '70s punk. He wrote "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love and Understanding," a song destined to become an Elvis Costello hit in 1979; in... more ›

THURSDAY [3] film • Austin Film Festival screens "The Ballad of A.J Weberman" at Alamo Drafthouse Lake Creek (7:30pm Free/$4 Members/General) art • West End Gallery Night at Participating Galleries (Until 8pm) art • Blanton Museum of Art Public Tour: An Introduction to Prints at Blanton Museum of Art, MLK at Congress (7-8pm) books • Book Release Party: Collecting the Imagination: The First Fifty Years of the Ransom Center at The Harry Ransom Center (7:00pm)... more ›

Bill Callahan Woke on a Whaleheart (Drag City) "Well, I could tell you about the river, or we could just get in" seems to typify Bill Callahan's mood throughout his official solo debut, Woke on a Whaleheart. The album's first track, "From the Rivers to the Ocean", introduces us to Callahan's new take on an old vibe by showcasing little pieces of everything he'll bring to full bloom as the album unfolds. As Callahan... more ›

MONDAY [26] film • Squeegee Your Third Eye: Remembering Bill Hicks at Alamo Drafthouse Downtown books • New and Noteworthy Book Club discusses Snow by Orhan Pamuk at BookPeople (7:00pm) film • Wonderwall at Alamo Drafthouse Downtown meeting • Austin Music Foundation's Music Industry Boot Camp at Gibson Guitar Showroom (3601 South Congress G400) music • Aloha, Pompeii, The Politics, Low Line Caller at Emo's Lounge music • Shoot for the Stars, iKiLLcaRs, Bones... more ›

Bellingham, WA's The Trucks carry on the loud-and-proud post-riot grrl tradition of acts like Peaches, Le Tigre, and The Gossip, playing guitarless, keyboard-driven pop-punk that'd be perfect for your little sister's sleepover if their hit single wasn't called "Titties." Maybe it is anyway. Depends on your sister. Anyhow we got to chat with singer/visual artist Marissa Moore, who also doesn't get why the SXSW schedule isn't up yet. Share a story about a visit... more ›

It's Tuesday, which means that your local DVD shop has several shiny new titles on the shelf. This week's biggest entry is James Mangold's Walk The Line, a Johnny Cash biopic in the mold of Ray that is up for five Oscars this weekend. The film wisely steers clear of a wide-scope biography, and instead concentrates on Cash's romance with second wife June Carter, his early music career at Sun Records, and his struggles... more ›

M O N D A Y [ 1 4 ] music · Dios (Malos), Pilotdrift and Steeltrain at Stubb's music · The Lemurs and Tarantula A.D. at the Parish Room film · Spiderhouse Cafe screens "Walmart: The High Cost of Low Price" (RSVP, Free, 10pm) (Thanks, Kate!) shopping · Austin Museum of Art's Tax-Free Day music · Piebald, Hot Rod Circuit, Hit the Light and Valient Thorr at Emo's music · Nic Armstrong and the... more ›

M O N D A Y [ 2 4 ] Happy United Nations Day! music · Coheed & Cambria, Dredg, mewithoutYou and Blood Brothers at Stubb's music · Elizabeth McQueen and Jason Roberts - of Asleep at the Wheel - hold court at Threadgill's (8pm) film · The Austin Film Festival at various venues around town (Through Thursday) books · Tram Nguyen discusses We Are All Suspects Now, her investigation into the "human cost of... more ›

What a difference a year makes. It seems like only yesterday we spent our summer Mondays at Cedar Street Courtyard, sipping Lemon Drops and relaxing to the soothing sounds of Austin’s own Slowtrain. The band, which “borrows influences from everyone from Dave Matthews to The Band to Bob Dylan to Johnny Cash” (according to their website) is undergoing some changes so we haven’t heard much from them lately. However, we were happy to learn that we can still catch the lead singer, Adoniram Lipton, at Flipnotics on Mondays for an acoustic set. We are excited to hear the new songs he’s been working on (along with some material from their great 2003 release “Escape the Sun”) before they’re played full band in the coming months. There’s no cover to get in, just bring a few bucks for a smoothie or a cup of tea…so much healthier than last year’s martini. more ›