Jason Quever combines anecdotal songwriting with lush folk-pop in Papercuts’ Can’t Go Back, out soon on Gnomonsong. The San Francisco based musician finds a unique balance between malaise and vigor on his new release. Moody narratives are married with layered orchestrations to conjure a somewhat manic depressive feel. The album opener, “Dear Employee” ends with resigned refrains of “I don’t need you no more” while the possibly tongue-in-cheek “Unavailable” repeats “He’s stepping out for a......

Lucinda Williams West (Lost Highway) West finds (as is apparent just by a brief scan of the track titles) Williams in a thoughtful and tender place musically, as her private life and its rough patches sort of overwhelm her toe-tappin' hay-covered dance floor capabilities. The death of her mother and the end of a relationship both factor into the context of the album, but that doesn't stop big guitars and generous bass drum from......

C-Span's Book TV will be stopping by Faulk Central Library this Saturday to offer tours of their nifty production-studio-within-a-bus and to interview local nonfiction authors in said bus. UT Prof Evan B. Carton, author of Patriotic Treason: John Brown and the Soul of America, will be interviewed at 3:30pm, and poet/activist Raul Salinas (most recently author of My Weapon Is My Pen: Raul Salinas and the Jail Machine) will be interviewed at 4:15pm. This......

FRIDAY [13] music/art • Austin Museum of Digital Art (AMODA) presents their latest Digital Showcase with Drop The Lime, MVSCLZ, HAPPYSUCKY, Wonder Jam Twins, Yatsuzaki, DJ Who's Jealous and DJ Radicon, plus visual artists including Ben Aqua, Ben Hibon, Bleep Labs, Cari Palazzolo, David Salinas, DEFASTEN, Eli Welbourne, Friedrich Kirschner, Johnny Cisneros, Lanneau White aka Karl Sapien, Lonja, Mike Ruiz, and Yuki Kawamura at The Mohawk (9pm-2am, $7/$4 general/members, 18+) ® music • Faceless......