For a little while there it seemed Built to Spill was fading into the background, that the mountain of awesomeness that was their 90s output had become but a memory of a fonder and more Clinton-esque era, and that the dog days of the aughts had put a damper on the six string noodling of the exceptionally liberal and ever-modest Doug Martsch. And then, when the expectations had reached a valley unlike any the band had seen since flannel shirts were all the rage, they dropped on us, seemingly out of nowhere, There Is No Enemy, quite possibly the best BTS release of the decade. This album, from top to bottom, feels like a resurgence of hope for the most famous band from Idaho (Idaho?), and the catchiness and energy of new tunes such as "Good Ol' Boredom" and "Aisle 13" means that it won't just be the old songs getting the crowd fired up. Basically, the show this Saturday night at Stubb's is not one to pass up, even if you've seen the bearded Martsch work his tenor before. more ›

Image from MySpace Dinosaur Jr, Awesome Color, Grand ChampeenFriday December 7Emos (603 Red River St)Doors at 9, programme at 10[info] | [tickets]There are three kinds of Dinosaur Jr fan: the 80s scenesters with a Deep Wound cassette and fond memories of J Mascis & Co doing sloppy Peter Frampton covers at the Elks Lodge; children of the '90s who thought "Feel The Pain" was probably a Foo Fighters song; and kids who read Pitchfork often... more ›

Every fall, Austin looks forward to ACL Fest, and each year, there's always a point where two of your favorite bands are playing on different sides of the park at the exact same time. ACL Band Clash is a weekly series in which Austinist scribes Paige Maguire and Tom Thornton examine the worst ACL scheduling clashes, and try to provide good advice on finding a resolution. Well, good advice might be a stretch, but... more ›

15. Mogwai - Mr. Beast (Matador) As ever, Mogwai manage to blend unadulterated post-rock weight to their shoegazer tendencies with tracks like "Glasgow Mega Snake" and "Folk Death 95," showcasing their ability to create anthems with no words. This is where Mr. Beast really shines, in between blistering chord progressions and gradual swings into corybantic climaxes. In some ways a throwback to earlier (and heavier) Mogwai material, Mr. Beast isn't merely a rock album.... more ›