The opposite is true for Shotter’s Nation – there’s a forced orderliness to everything. Doherty doesn’t mark up the margins or writhe beneath the 4/4; he politely knocks before he enters each track. Then the band lumps all sorts of footnotes and interpolations into the songs and it all sounds too smart and witty, not haphazardly ingenious like the whistle-to-full-band crescendo on Albion’s “Sticks and Stones.”
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