Results tagged “grahamreynolds”

Last year, when Allison Orr and Forklift Danceworks presented Skate! A Night at the Rink it was one of the most uplifting performances of 2008. The event brought together professional dancers on skates with dedicated longtime rink skaters in a breathtaking series of dances that were both fresh and nostalgic. This weekend, for one night only, Orr is once again employing her gift of taking ordinary folk (which is to say, non-professional dancers) and shining a spotlight on their inner dancers. The show is called The Trash Project and you needn’t be psychic to know this is going to wind up as one of 2009’s most uplifting performances.

The Rude Mechs are known for two things: bold, progressive theater and throwing one hell of a party at their annual themed "Eye Ball" fundraiser. (Who can forget the free mustache rides - on a giant vibrating mustache - at the Magnum P.EyeBall?)

All we have to say is that if you were ever tempted to follow the white rabbit, make sure the rabbit is not, we repeat, NOT Dustin Wills. His androgynous tart will lead you in, around, over, under, and finally throw you into a sea of troubles that is the world of Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (a Rave Fable). What starts as a happy meeting in the open, outside Salvage Vanguard Theater’s eastside space, quickens to a techno pulse as we moved into the theatre, and the beat will not let you go until the inevitable tragic end.

Iphigenia is a twisted tale, so we'll let the press release do the talking: "...Greek tragedy spun into a sleek netherworld of sex, drugs, and trance music. Iphigenia is the daughter of a political celebrity. She embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her seemingly inevitable fate."

South by Southwest always brings some pretty eclectic artists to town, and this year’s roster includes New York’s DeLeon, which has a very different indie-meets-international sound that’s both new and very old. DeLeon mixes modern indie rock with 15th Century Spanish folk songs and the mysterious melodies of ancient Sephardic Judaism.

Local indie-classical auteur Graham Reynolds is probably Austin's busiest composer, bandleader, pianist and drummer. When he's not performing with the Golden Arm Trio, he's working with local composer Peter Stopschinski at their non-profit, Golden Hornet Project, bringing the works of composers to performance. We are thrilled he had some time to let us know what he's been into in 2008.

Golden Arm Trio is the brainchild of Graham Reynolds, a legend for all his contributions to the music and arts community in Austin. Besides performing live in a wide array of settings around town, Reynolds has scored many a film in the past and continues to bring us innovative compositions and unique shows. The number of members in Golden Arm Trio and the different instruments utilized varies depending on the subject matter of the specific show but Reynolds' versatility and genius is a constant force that impeccably ties it all up. We caught up with the maestro this week to learn more about his inspirations, collaborations, and endeavors.

Now here’s something different: Graham Reynolds and his Golden Arm Trio will bring their progressive jazz fusion to what’s turning out to be the most diverse Fun Fun Fun Fest ever.

Peter Stopschinski and Graham Reynolds formed The Golden Hornet Project in 1999 aiming to bring the work of their own compositions and others into settings “bridging the nightclub and the concert hall, the academy and the underground.” Since their formation, the duo have put on one hundred events, including a “Classical Hoot Night” at Beerland and five percussion ensemble concerts.

Ron Berry has been having a mighty fine time of things lately. Last year's Fuse Box Festival was critically and commercially successful. Refraction Arts' production of The Assumption was so popular, they resurrected it late last year to sold out houses. The company garnered a whopping 24 Critics Table Awards in '07. To top it all off, in its most ambitious year to date, Fuse Box '08 kicks off in less than two weeks. We recently chatted with Ron about Fuse Box to get the scoop on this year's fest.

Ballet Austin’s Artistic Director, Stephen Mills, and locally based (internationally loved) composer Graham Reynolds are two of the three collaborative masterminds behind Ballet Austin’s presentation of Cult of Color: Call to Color. Along with visual artist Trenton Doyle Hancock—who created the sets and designed the costumes, and upon whose painted characters the show is based—Mills and Reynolds have put together an astounding presentation. We spoke with Mills and Graham about creating the show.

There are not enough good words to say about Cult of Color: Call to Color. Attempts to capture the performance will only wind up sounding like some over-hyped ad in the Sunday Times Arts section. But Cult really is: Astonishing! Amazing! Fifty Thumbs Up! Visually Stunning! Musically Breathtaking! and The Dance of a Lifetime! In short, it very much deserves a Run-Don’t-Walk-to-See-It recommendation, this urgency compounded by the fact that the show is only slated for a very short run.

The exhibit traces a two-and-a-half-year collaboration among three Texas-based artists: Trenton Doyle Hancock of Houston and Austinites Graham Reynolds and Stephen Mills. Cult of Color: Call to Color is a chapter in Hancock’s ongoing artistic mythology, which incorporates stories about imaginative creatures like the Mounds and the Vegans. On display will be Hancock’s colorful paintings, notes, and sketches that inspired the design and concept of the ballet, as well as artwork that inspired the backdrop curtains, stage props, and costumes.

Salvage Vanguard Theater has announced its new season! // Rubber Repertory has started airing their dirty laundry in a new, recurring series called From the Dumpster, in which they confess to madcap ideas they seriously considered staging. // There's more than music to SXSW.

Image from Benko’s MySpace Benko, The Boxing Lesson, & The Story OfWednesday, November 21Stubbs (801 Red River)9 p.m. | $8[info] | [Benko MySpace] | [The Boxing Lesson MySpace] | [The Story Of MySpace]Thanksgiving is just around the corner but before you get stuffed and sleepy, get your long weekend started right on Wednesday evening. There is a mouth watering set of shows on the Austin schedule for the 21st. Extended details to follow in our...

Last New Year’s Eve, experimental film artist Luke Savisky gave us the eye. This Halloween season, he'll create a surreal urban oasis on film at one of Austin’s historic parks. It may be hard to top images of a giant eyeball projected on to a downtown water tower, but Savisky’s latest large-scale film installation promises to be just as imaginative—and maybe just a little less creepy. On Friday night, Savisky will present Film Actions VI:...

We had, like, totally the best time at the Rude Mechanicals' annual fund-raising shindig this past Saturday, the Magnum P. Eye Ball. Hosted by Jonathan Quayle Higgins III, of course, the island-themed event featured local music icon Graham Reynolds of The Golden Arm Trio spinning period tunes. Meanwhile, numerous dudes walked around in mullets, mustaches and Hawaiian shirts, and several screens played different Magnum P.I. adventures. The night even included the chance to ride "The...

If, like us, you thought that Marie Antoinette might have been a hell of a lot better as a silent movie, consider Orphans of the Storm (1921), screening tonight for free at the Harry Ransom Center as part of the Silent Silver Screens Series. Starring the lovely and incandescent Gish sisters (that's Lillian on the left and Dorothy there on the right), Orphans follows the odyssey of devoted French sisters Henriette and Louise. When...

My how this city has grown. Austin used to be the kind of town where the summertime theatre offerings were slim pickings. Not so...not anymore. The joints are jumping, and this week is no exception. It's darn near impossible to offer a Pick of the Week, so this week we're suggesting not one but two productions we think you'll enjoy. First, however, we need to report on some awards show shenanigans that went down earlier...

Graham Reynolds' Golden Arm Trio will be performing at the Mohawk on Saturday night in support of the new album, no doubt full of the experimental power-jazz you'd come to expect from a group that Rolling Stone has called "a merger of John Zorn's Naked City and the 1970's radical-prog band Henry Cow. In case you weren't aware, Reynolds has worked on film scores (most recently, Linklater's A Scanner Darkly), symphonies, operas, and children's...

Founded in 1986, The Austin Children’s Choir presently boasts over one hundred members from 45 different schools. Comprised of four singing groups based on the students’ skill and age, the choir performs unique concerts throughout the year while also making special appearances as needed. This weekend, the Choir performs an interpretation of Homer’s The Odyssey: No Childsplay, headed by Artistic Director Kathleen Turner, composed by Graham Reynolds, and translated by Beverly Bardsley. Reynolds’ vast...

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Welcome to the Halloween edition of This Week in Theatre, and the first time since we’ve been in Austin that some company hasn’t produced a play about mystical and spooky stuff to commemorate this festive occasion. So, in lieu of seeing a “horror” play this weekend—an event where busty blondes disappear for no reason, only to return later after a highly unfortunate series of events has stripped them down to their underwear; or, you...

So if you're ready for a stimulating and "unique program of debate, lecture, declamation, theatrical presentation and music in a salon-like atmosphere," this one's for you.

It's a "high-brow party with a low-brow soul" featuring Jennifer from Ear Candy (one of our favorite radio shows in town), free beer, Graham Reynolds, and 250 of your closest performance-loving friends -- all to "put the arty back in party". That's how the Rude Mechs roll. They'll be bringing all the Pop Art-themed goodness to you this Saturday at their East Austin home, the Off Center. Doors open at 7pm*, with admission at $15...

Well this could be the last time. This could be the last time. May be the last time. I dont know. [07.22 in Music] Last chance to see A Scanner Darkly with composer Graham Reynolds [07.22 in Movies] Celebrating Slackerdom...Again: This Week's New Movie Releases! [07.21 in Movies] World War III, IV, or V? [07.21 in News] Austin Duo Brave Sharks and Sea Monsters for Vets [07.21 in Fitness+Outdoors] Lock Up the Children and...

For real. We mean it this time. Last chance. Ever. Pressured by the score-loving, moviegoing public, the folks over at the Alamo are giving us one last chance to see Richard Linklater’s A Scanner Darkly accompanied by a 30-minute live performance featuring the film’s composer Graham Reynolds. Reynolds is one of Austin’s busiest musicians; when he’s not composing film scores, he’s a member of the Golden Arm Trio, the resident composer for the Salvage Vanguard...

On Wednesday night, The Austin Film Society hosted a little over one thousand friends to watch Austin's very own premiere of A Scanner Darkly at the Paramount Theatre, with a post-screen party down the street at The Austin Museum of Art. Originally written by Philip K. Dick in the late 1970’s and adapted to the screen by Austin's own Richard Linklater, A Scanner Darkly is an eerie, yet hilarious, film of drugs, paranoia and...

WEDNESDAY [28] [film] AFS 20th Anniversary Screening: Godard's Weekend at Alamo Downtown (7pm) (link) [film] Premiere of A Scanner Darkly with film score composer Graham Reynolds leading live performance at Paramount Theatre (5pm, 7pm) (link) [film] The Blindfolded Reformer at the Vortex with free Tito's vodka (Free, 7pm) (link) [books] Texas Monthly Bookclub presents Sarah Bird's The Flamenco Academy, hosted by Mike Shea at BookPeople (7pm) (link) [music] Awesome Cool Dudes, Daniel Francis Doyle, Zom...

In anticipation of tomorrow night's premiere of A Scanner Darkly, hosted by the Austin Film Society, movie- and music-lovers can check out a live performance of pieces from the film's score at 5pm tonight at Waterloo Records. For free, of course.