It's possible that you could call writer/director Brant Sersen a cultural anthropologist. With a knack for exploring various subcultures, albeit in a ficticious way, he has created two feature length films now that ingratiate themselves into not often profiled communities. The first, Blackballed: The Bobby Dukes Story, which won the Narrative Feature Audience Award at SXSW 2004, chronicled the rise and fall of a paintballing icon.
Sersen's second, Splinterheads, is opening this weekend in Austin at the Regal Arbor Cinema, and brings us the story of a manchild townie who's life is suddenly swept up in the absurd world of a traveling carnival as he is enchanted by one of its minions: a beautiful, geocache enthusiast con artist. We had the pleasure of exchanging an email dialogue with Sersen this week, wherein we talked about discovering things you may not have had the opportunity to ever see, the inspiration behind his storytelling and the publicity benefits of being linked with the Montauk Monster.
Sersen's second, Splinterheads, is opening this weekend in Austin, and brings us the story of a manchild townie who's life is suddenly swept up in the absurd world of a traveling carnival as he is enchanted by one of its minions: a beautiful, geocache enthusiast con artist. We had the pleasure of exchanging an email dialogue with Sersen this week, wherein we talked about discovering things you may not have had the opportunity to ever see, the inspiration behind his storytelling and the publicity benefits of being linked with the Montauk Monster.
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Interview: Brant Sersen Brings His Carnival of Splinterheads Back to Austin
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