Garrel met Nico, German model, actress and moody monotone of The Velvet Underground, in 1969. They quickly became lovers and partners, with Nico being featured in seven of Garrel's films during the 1970's. Nico was already a heroin addict at this point and shortly after her death in 1988, Garrel created this stark portrait of people on the edge, inspired by his muse's undoing. Using characteristic long take shots with very little action, he created the tension of extreme solitude, for not only the characters but the actors playing them, leaving everyone in cold boxes. The salacious nature of the subject matter is dealt with antiseptically, without emotion. We are guessing that the title of the film refers not only to the character inspired by Nico, but also to Garrel himself and his feelings not only after her death, but also immediately following the end of their relationship in 1979. We suppose all tomorrow's parties just wouldn't be as interesting if you could no longer hear the music.