Regardless of a music-filled ACL weekend, hungry fans lined up early for The Black Keys ACL Studio show as anxious as ever. Friday’s festival performance and Stubb’s sold-out after show on Saturday revealed that The Black Keys are a hot ticket. more ›

Most people are aware of the work of Dan Auerbach, even if they don't know his name: his much-loved bluesy two-piece, The Black Keys, has played a couple ACLs and been a force in supreme guitar god awesomeness for almost the entirety of this decade. But now, for the first time, Auerbach has recorded an excellent minus-drummer-Patrick-Carney homage to old style rock and soul with Keep It Hid, and though the goin' by his own name thing may imply a solo endeavor, he packs with him the punch of a five-piece outfit, The Fast Five. Truth be told, they are sure to rock out with a seriousness. more ›

After leading off somewhat inauspiciously, the album kicks into gear with the continuously enjoyable “I Want Some More,” a clattering, fuzzy, Doors-y joyride that plays best played loud, and it’s only then that it becomes clear that something more than a toss-off solo album is at hand. And really, it’s as if someone has blown new life into Auerbach, as the freedom to explore beyond the confines of the two-piece liberates him to return to what made him a talent in the first place: rugged vocals, entrancing guitar work, and an ability to write a memorable tune. more ›

Auerbach spends the majority of his time as one half of the gritty Ohio-based duo the Black Keys, but now that he's built his own studio--Akron Analog--he's indulged himself in a solo record full of low-down soul, neo-psychedelia and heartfelt Nashvillian country. more ›