Last summer, T-Pain made it very profitable/cool to sing like a robot. Ever since, everybody seems to be trying their hand at it, or rather, using some sort of vocal modulation/autotune to emulate a sound that is both infectious and patently insincere. Lil’ Wayne’s hit single “Lollipop” is the most recent and notable instance of T-Pain’s influence, and it’s also the most dramatic deconstruction of that sound to date. T-Pain makes Windex’d, pristine pop music, songs you can check your hair in or snort drugs off of or, most importantly, cut into little squares and stick on a Styrofoam sphere to be hung in the middle of a dance floor. The vocal fx, the pedestrian lyrics, the chintzy beats - it’s all low-to-no risk, simple, easy, breezy, beautiful, Christie Brinkley....

On Sunday night - before my sinuses joined the writer's strike - I fancied myself a Rockwell-ian protagonist. In my crappy efficiency apartment, I laid leisurely in an armchair, reading Yeats and watching Terminator: The Sarah Connor Chronicles. I also made laborious use of the first-person singular and listened to a new Bavu Blakes song, which arrived in my inbox that night. ...

Photo courtesy Ricardo B. Brazziell Brownout w/ Bavu BlakesFriday, November 16Flamingo Cantina (515 E. 6th St.)Doors: 9pm[info] Bavu Blakes @ B-Girl CitySaturday, November 17Ruta Maya (3601 South Congress Penn Field)10pm set[info] Bavu BlakesSaturday, November 17Plush (617 Red River)$10, Midnight[info]The anticipated long-form paean to Sparkdawg will have to wait for a week: Bavu Blakes, Austin’s biggest rapper, plays three shows and runs a 5k this weekend before hanging up his hat for the holidays. I caught......