Arthur Seaton (a young, bright Albert Finney) reminds us of ourselves--a hard working man that refuses to let the daytime sweat on his brow dictate his ability to personify something more grand in the twilight hours. (Granted our job doesn't necessarily make us "sweat" in the conventional definition, and we are actually of the female persuasion, but that's all semantics really.) He cares not what toll his rabble rousing may bring upon those around him,... more ›

One truly is the loneliest number. We prefer things in multiples: beers, potato chips, orgasms (was that taking it too far? Eh, fugetaboutit.) And we definitely enjoy the chance to experience two landmark films in one compact bundle. Tonight, the Austin Film Society presents not one, but two sensational films as part of their gritty Essential series Blokes 'n' Birds: British Realist Cinema (1958-1965). In the past several years, you may have noticed that a... more ›

Tuesday night, the Austin Film Society presents Girl with Green Eyes, a tale of the naive-girl-in-the-big-city and the second offering in their Essential Cinema Series "Blokes 'n Birds: British Realist Cinema, 1958-1965." more ›

Tomorrow, as part of the new AFS Essential Cinema series "Blokes 'n Birds: British Realist Cinema, 1958-1965", Look Back in Anger will bring its critique of postwar British identity to Alamo South Lamar. more ›