This Must Be the Place - People in their homes
Results tagged “brianapurser”
After what seemed like an eternity of anticipation from a crowd chanting his name softly, Beck finally arose from his lair behind stage and began the night with an angsty classic, "Loser." Adorning his most recent look of long blond locks and cowboy hat, Beck gave a nostalgic performance realizing his audience grew up listening to albums like Mellow Gold and Odelay. He did up the pace a bit, playing "Gamma Ray" off his new album Modern Guilt, but the pinnacle of his performance was in hits like "Where It's At" and "Devil's Haircut" which make every bone in your body happy. And yes, even people in line for the port-a-potties couldn't resist dancing. A long-standing frontman, Beck has not lost his stamina and still manages to remain mysteriously omniscient. With a catchy pulse and captivating rhythms, Beck wooed the souls of a sea at people who didn't mind staying late after a long day of great acts. There was a blithe vibe in the air as fans enjoyed a few more beers and chatted with friends, while stretched across blankets. A sudden switch to the wicked beats of "Hell Yes" brought about electric chanting. The performance sparked conversation in my group realizing we forgot how much we truly liked Beck's music and how it pushed us through awkward transformative years. A quick iPhone search led us to discover that he is indeed 38 years old, but still sexy and soulful nonetheless. Critics and hipsters- say what you will, but he definitely surpassed by Becktations. -Candace Birkelbach
Psychedelic music came of age in Austin in the 60’s thanks in large to The 13th Floor Elevators and the emergence of The Vulcan Gas Company as a community and a venue to support the genre. (Check out this site for a history.) The Vulcan Gas Company (316 Congress Ave.) shut its doors in the 70’s but lately there has been a renewed interest in the era in part due to Scott Conn’s Dirt Road To Psychedelia documentary. The Black Angels must also be blamed thanked for this rejuvenation; the local outfit has paved the way for a new generation of psychedelic acts with their impressive 2006 release, Passover. A full-length follow-up is expected this May.
Photos of some of the items to be shown at Fashion Freakout at The United States Art Authority (next to Spiderhouse) on Saturday, February 16th.
Photos courtesy of Austinist contributors Steve Hopson, Eric Uhlir, Zach Ground, Keith Gaddis, Briana Purser, Erin Hanson, Patrick Dentler, Davis Ayer, Nash Cook, and Chad Wadsworth. If you can't view the Flash slideshow above, an alternate version appears after the jump....
Photos of MIA and Cool Kids from Saturday night's perfomance at Hogg Auditorium. Photos courtesy of Briana Purser. If you can't view the Flash slideshow above, an alternate version appears after the jump....
Photos courtesy of Austinist contributors Eric Uhlir, Keith Gaddis, Briana Purser, Erin Hanson, Patrick Dentler and Davis Ayer. If you can't view the Flash slideshow above, an alternate version appears after the jump....
At the regal Riverbend Centre on Saturday night, Joanna Newsom proved why she’s one of today’s most iconoclastic and oddly appealing musicians: not only did she mesh shockingly well with the ultra-classy Austin Symphony Orchestra, but she also managed to get in trouble for hauling a bottle of Maker’s Mark onto stage. And it’s in this almost-accidental appeal to both sides of the concert-going spectrum—as well as an almost embarrassing wealth of talent—that she...
