Fun Fun Fun Fest 2007 Recap from Super!Alright! on Vimeo. Editor's Note: The kind folks at Super!Alright! helped us put together this video recap of last weekend's Fun Fun Fun Fest. Also viewable here, in HD....... [continue]

Photo of Diplo courtesy Annie RayFun Fun Fun Fest lived up to its name in spades last weekend, showcasing local and not-so local bands of all genres on three stages in two short days. Day two was a waiting game of sorts for a lot of festival-goers, and judging by the crowd at Mohawk the night before, many people had only had a taste of Murder City Devils, and were craving more. Stage three was...... [continue]

Ed Note: Austinist and Prototype Vintage hosted the media tent at this year's Fun Fun Fun Fest. Throughout the weekend, we invited festival artists and audience members alike to come and have their portraits taken—what you see above is the result of two days' worth of impromptu photo shoots, featuring everyone from Of Montreal and Final Fantasy to the good people of APD and the friendly backstage security guard, Dylan. Photos courtesy of Austinist...... [continue]

Photos courtesy of Austinist contributors Steve Hopson, Eric Uhlir, Zach Ground, Keith Gaddis, Briana Purser, Erin Hanson, Patrick Dentler, Davis Ayer, Nash Cook, and Chad Wadsworth. If you can't view the Flash slideshow above, an alternate version appears after the jump....... [continue]

unattributed press photoSo there’s this band. They’re called Battles, and they’re getting pretty damn big pretty damn fast. The reason for this burgeoning bigness is at least three-fold: their critically-adored debut album Mirrored, the YouTube sensation known as the “Atlas” video (watch it after the jump), and, not least of all, their ferociously energetic live show. While there's no doubting that their music can be a bit challenging, and isn’t for the faint of heart,...... [continue]

Image from Dischord Records’ website The EvensSunday, November 11The Compound (1300 E 4th St)$5, 7:30 p.m.[info]A legend will grace east side venue The Compound for a very special early show this Sunday night. Ian MacKaye (of Minor Threat and Fugazi fame) teamed up with Amy Farina (The Warmers) to form The Evens in 2001. Their self-titled debut record was released in 2005 on MacKaye’s Dischord Records and Get Evens dropped the year after. The Evens’...... [continue]

Photo by Nash Cook on FlickrFun Fun Fun Fest lived up to its name in spades last weekend, showcasing local and not-so local bands of all genres on three stages in two short days. Day 2 was teeming with talent and intrigue as local acts like I Love You But I've Chosen Darkness, Riverboat Gamblers, Car Stereo (Wars) and Moth!Fight! did their thing, laying the groundwork for an out of town lineup any festival would...... [continue]

Photo of Madball courtesy Keith GaddisFun Fun Fun Fest lived up to its name in spades last weekend, showcasing local and not-so local bands of all genres on three stages in two short days. Day one included local acts Okkervil River, Explosions in the Sky, and Brothers and Sisters, as well as touring acts like the New Pornographers, of Montreal and Youth Brigade. To read what else we had to say about day one, click...... [continue]

Photos courtesy of Austinist contributors Eric Uhlir, Keith Gaddis, Briana Purser, Erin Hanson, Patrick Dentler and Davis Ayer. If you can't view the Flash slideshow above, an alternate version appears after the jump....... [continue]

Photo of Girl Talk by Davis AyersGregg Gillis didn't have a chance to stop by and say hello during Fun Fun Fun Fest, but he was kind enough to get in touch yesterday and share his thoughts on the weekend in general. As expected, he was happy with his crowd, the stage and his set, despite his previous experiences at festivals. Before his set, the eager crowd was already teeming with nervous excitement, perhaps recalling...... [continue]

Skeletor playing drums, found on Joystiq.comLast night's town hall meeting on the proposed noise ordinance changes drew a record turnout at Momo's, bringing out a crowd that consisted mostly of local venue owners, musicians, and longtime residents. As we mentioned yesterday, the meeting was held to discuss a proposal put forth by the Austin City Planning Commission that would basically lower the decibel (dB) rating for music venues from the current limit, 85 dB, to...... [continue]

Photo of Girl Talk by Davisayer on FlickrFun Fun Fun Fest lived up to its name in spades last weekend, showcasing local and not-so local bands of all genres on three stages in two short days. Day one included local acts White Denim, Brothers and Sisters and Okkervil River, as well as touring acts like Neurosis, Final Fantasy, of Montreal and Girl Talk. Last year's event was a success, albeit overshadowed by too-cool temperatures and...... [continue]

Zookeeper Becoming All Things (Belle City Pop) Chris Simpson (formerly Gloria Record, Mineral), has completed his first full-length under the moniker Zookeeper, and old pal Brian Malone has released it on his Belle City Pop record label. The album careens between honky tonk dissonance and dissolving harmony ("Trumpets" sounds like the closing tune in your favorite dive bar) against whimsical banjo, organ and horns. Simpson's voice plays well with the Wilco-ish (Being There era)...... [continue]

Photo by Sandstep on flickr Austin Music Commission MeetingMonday, November 5, 2007, 6 p.m.Momos [map][info]Austin's future as Rock Capital of the Universe or whatever hangs in the balance at tonight's meeting of the Austin Music Commission. The Commission will be discussing a proposed ordinance that would change the requirements for obtaining an outdoor music permit, prohibiting music within 100 feet of a residence and lowering the decibel limit from 85 to 75 or 70 depending...... [continue]

Welcome to the latest edition of Band Slam!, wherein I navigate the murky waters of Austin's club listings for the best and worst band names playing this week. The only rule: I can't know anything about the actual band, thus limiting my critique strictly to the band's chosen moniker. Let's cook!! Harptallica - Elysium, Friday 10/05 After the Radiohead reggae album, all bets are off as far as taking ultimate creative license with canonized...... [continue]

Moth!Fight! are a band who have had a much longer gestation period than most of their peers, a time in which one can assume songwriter and “conductor” Kevin Adickes painstakingly perfecting both the rumpled antique aesthetics that dominate his band’s look, performances and sound – the latter of which calls to mind both the inspired trippy noise-pop of The Olivia Tremor Control, but which also speaks in the lexicon of the band’s clear, more current...... [continue]

Like an uncomfortably morbid Renaissance Faire, the debut album from Orion Rigel Dommisse is a bit of ancient escapism mixed in with near-constant themes of death and disintegration. Altogether, it amounts to a captivating but unsettling tour of a freak-folk take on mortality. To prove this isn’t an exaggeration, see a few of the song titles: “Fake Yer Death,” “A Faceless Death,” “Suicide Kiss (Because Dead),” and, ending the album on an unsurprising note, “Drink... [continue]

As a friend remarked during her first listen to Jens Lekman’s new album, “That disco shit ain’t gonna fly,” Night Falls Over Kortedala is a sea-swell of cheeseball bitten by a cavity-riddled sweet-tooth. And if this description sounds a snip over-the-top, so be it—this is an album comfortable in its own skin, a relic of another place and time butting its charms into the modern world on the strength of its own inherent likability and... [continue]

Division Day Beartrap Island (Eenie Meanie) Formed in Santa Cruz in 2001, Division Day honed their craft in a small sound-proofed bedroom. They put together an EP, The Mean Way In, in 2005, and have earned a bit of blogosphere recognition since then thanks to their catchy indie pop hooks and knack for a good cover song. Beartrap Island, their first full-length, is full of toe-tapping, old fashioned sing-a-long start and stop rock'n'roll that...... [continue]

This time, Liars didn’t catch us off-guard. Whereas 2006’s Drum’s Not Dead came prepackaged with low to no expectations—a result of 2004’s nearly unlistenable and critically panned They Were Wrong, So We Drowned—yet managed to stun and satisfy with its deliberate grittiness and an art-house-from-hell approach to the concept album, this new release of theirs, Liars, is blessed with no such reprieve. Liars is an honest attempt to recreate the razor-like precision of Drum’s Not...... [continue]