The Dallas Morning News reports that Democrat Tom Schieffer is pulling out of the gubernatorial race, and plans to formally announce his withdrawal this afternoon.

Last week around the Gothamist network.

Among Austin printmakers, screenprinting reigns supreme - the sometimes messy process requires relatively little equipment and nicely compliments our rock and roll lifestyle. For every collective of anarchists kids squeegeeing patches in their kitchen, there is an Austin printmaker pursuing a different printing technique. Kat and Brad Murph are a pair of such printers, and in 2006 they founded Vertallee Letterpress, a design and print studio in East Austin. Letterpress is like screenprinting's older, more refined sister - the delicate embossing instantly gives paper a polished aesthetic. Vertallee provides custom design and printing for invitations, business cards, and all manner of ephemerata. Vertallee Letterpress are participating in East Austin Studio Tour - stop by their studio at 701 Tillery St. to see their work and try your hand at printing on their Heidelberg Windmill press. Vertallee's creative director, Kat Murph answered some questions for us about the letterpress process and the future of the printed word.

Disasters and diseases suck. They kill people, they inspire (with the aid of fearmongers) exorbitant amounts of anxiety, and they provoke playwrights to scribe trite, mawkish, pontificating tripe. Generally. In certain cases, when their implications regarding human relations are looked at from a philosophical, conversational point of view, they've a better chance at being successful (see: Neil LaBute's The Mercy Seat). Sick is not one of those cases.

The ever fantastic East Austin Studio Tour continues this weekend with open studios and more art programs and happenings. Here's a rundown of some of our suggestions for weekend art enjoyment. Don't miss your final opportunity to check out East Austin studios this weekend. If you're feeling overwhelmed with the 150+ participating locations, review our list of survival tips and studio picks and our interviews with EAST artists. Artists participating in EAST will have their studios open from 10am until 5pm on Saturday and Sunday. Head over to the official East Austin Studio Tour site to see the full list of artists and to download a copy of the EAST map. We'll see ya on the East Side!

Photos courtesy Pooneh Ghana.

We’ve been enjoying the live videos from Fun Fun Fun Fest nightly but as enticing as it sounds, repeated viewings of this priceless performance by The Jesus Lizard or this epic Les Savy Fav clip at home shouldn’t be a part of anyone’s Friday evening agenda. Especially since Red 7 is hosting a handful of top-notch local rock acts that will surely expunge any lingering post-Fun Fest lethargy. But be warned, the sounds resonating from the venue this night are not for the weak of heart. Eagle Claw bring the thunder early on with an ample supply of sizzling guitar licks, Woodgrain’s chiming experiments continue the sonic onslaught, and the always impressive Tia Carrera bludgeon through lengthy doses of psych-metal in the penultimate slot. Black Cock’s thumping electro-rock brings down the curtain on this exceptional noise-laden bill, adding some vocals to all the racket along the way. Chock-full of resonating keys and immaculately layered vocals, the band’s debut full-length Robot Child With A God spawns ominous soundscapes that might not usher in the end of days just yet but are disconcerting enough to imply impending doom and darkness. We chatted with Black Cock’s ringleader Chico Jones earlier this week to learn more about the band’s recording process, and their hopes and dreams.

You might be thinking that Electric Tickle Machine - kind of a misnomer at first - is another in a seemingly long line of garage pop / psychedelic rock groups making danceable rock and roll and going the extra mile to make their live show kinetic and engaging but failing to transition that energy into their recordings. But, such is not the case. It’s clear on Blew it Again, released earlier this year, the group didn’t simply enter the studio and bang out tracks, then hop in the van and head to the next show. They gave a damn, and it translates in recordings which toe the line between the produced and lo-fi, allowing for a fair amount of grit and fuzz to enter and join the brightness and clarity among the chorus and keys. It makes for an album with a different look and feel from their live show while channeling some of that raw, live energy, which has been known to include the occasional naked audience member dancing and jiggling their parts uncovered up on stage.

For fifteen years, the members of the Women Printmakers of Austin have dedicated themselves to exploring artistic expression and expanding the audience of fine art printmaking. Deeply rooted in historical printing traditions, these artists are now able to blend classic techniques with modern technology to create contemporary works of art. The WPA recently acquired studio space in Pump Project's newly rennovated Satellite Studio and Flex Space. The new shared space grants 24 hour access to studio subscribers who can avail themselves of etching and intaglio supplies, a large press, and other tools of the trade. The Women Printmakers of Austin are participating in this weekend's East Austin Studio Tour and can be visited at 1109 Shady Lane, just up the road from the Pump Project complex. Artist and WPA Chair Angela Hayes answered some questions for us about the future of printmaking and what it's like to work with a team of talented women.

it’s hard to think of much besides this production after seeing it. So here’s a word: this production is good. That adjective may seem blasé, but it’s intended to be anything but. Breaking String’s Cherry Orchard is good in that ephemeral, indefinable way—good, and to find other words would render them dull in comparison to the experience.

What’s the Deal: Quirky, capricious and dreamy are all adjectives you could use to describe the music of New York’s Freelance Whales. The five piece experimental folk pop outfit has experience playing in locations ranging from decent sized venues as on their current US tour with Fanfarlo to busking on sidewalks and train stations in New York City. They’ve been very busy since their start in late 2008, and this past August saw the release of their debut album, Weathervanes. It’s comprised of vast, melodic arrangements using everything from harmonium and banjo to glockenspiel and waterphone built up around bright, glittering to eerie choruses.

Dan Green of 4ms Pedals builds effects boxes and synthesizers, in both finished and DIY kit incarnations, out of a second-story studio on Cesar Chavez in East Austin. I spoke with him there a couple days before the East Austin Studio Tour began. He'll be there this weekend as well.

Each Friday, we'll be offering up a sampling of Longhorn- and Big 12-related sports coverage making its way around the Web. This week: more Longhorn legal trouble, Kansas' coaching hot-seat, and recognizing the seniors.