The Dark Water Hymnal: Collapse the Structure [Album Review]
Collapse the Structure revels in emotional appeals, but steers clear of the overtly maudlin. The Dark Water Hymnal may be making folk music, but it’s a folk music enriched by decades of rock and roll, a folk music for people who know what suburbs are. Their sound is decidedly modern even as they look backward for inspiration.
The result is a lovely, swooning kind of album, owing in part to the plaintiff quality of Andrea Couch’s violin work. “Black Confetti,” which features additional vocals by members of One Hundred Flowers and Polar Optimist, has the feel of an ecstatic church hymn. The bells, played by Mike Huebner, are used to great effect on several tracks, including “Center of the Spark” and “Whole City Glows.” Despite the instrument’s lullaby quality, the overall arrangement avoids an overly twee effect.
Even at their sweetest or most triumphant, the tracks on Collapse the Structure have an eerie, off-kilter quality. They haunt the listener just as surely as murder ballads or the silent desolation rural desert nights do.
Note: the Dark Water Hymnal are playing at the Mohawk this Wednesday, January 5th as part of Free Week.



