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SXSW Music Highlights: Motörhead & More


Motörhead at Austin Music Hall (3/17): Previously reserved for the Austin Music Awards, the opening night of SXSW Music at the Austin Music Hall this year was a welcome blast from the past for metal fans. Although history does not see them in the same light as the Metallicas or the Megadeths, Voivod were veritable contributors to the thrash metal movement of the ‘80s. It was heartening to see they could still deliver the goods at a sizable venue, albeit to a meager crowd. Next up, Michael Monroe ensured the days of glam were not forgotten, performing solo material as well as classic Hanoi Rocks songs to a growing and enthusiastic audience. The tunes were anthemic and enjoyable, but it was Monroe who stole the show, prancing all over stage, twirling his mic continuously, and jumping into the photo pit to allow an eager group of fans to join in on the vocals. We were a little surprised that AMH was not jam packed when Motörhead took the stage around 10:30. Considering that the band had played the night before at Stubb’s and Lemmy: The Movie had already been in the SX news for days now (plenty of Lemmy sightings included), perhaps Motörhead had worn out their welcome in town? Not in our book! The band took no prisoners as they delved into their healthy catalog for a number of speed metal gems, reminding us why they are held in such high esteem by fans of that genre.



Frightened Rabbit at The Parish (3/17): The Scottish Arts Council had put together quite a bill at The Parish on Wednesday. We reached the venue just in time to catch “Quiet Little Voices,” our favorite We Were Promised Jetpacks song. The band’s passionate set was matched by Frightened Rabbit’s intensity immediately after. The Midnight Organ Fight classics like “The Modern Leper” and “Old Old Fashioned” plus “Swim Until You Can’t See Land” off the new album The Winter Of Mixed Drinks were just a few of the many highlights; Scott Hutchison’s amicable banter in between songs a welcome bonus. And we’ll admit we semi-stalked Frightened Rabbit this SX, catching them again at Mess With Texas on the 19th and at the Filter day show at Cedar St. on the 20th. They’re that good.


Global Rock Show (Panel) at Austin Convention Center (3/18): Moderated by Dart Music International founder Dave Dart, the Global Rock Show panel addressed the trials and tribulations of international bands aiming to make a name for themselves in the U.S., and discussed strategies for eventual success. Derek Woodgate, who has worked with Sonic Youth and The Swans in the past, and is currently the Chief Creative Officer at Plutopia Productions, was especially frank and tactful, commenting on the changing times and new technologies, and recommending various tactics that visiting acts could employ. Government grants, visas, touring logistics, marketing, and networking were all a part of an educational hour of debate.



Stone Temple Pilots at Austin Music Hall (3/18): The mere mention of Stone Temple Pilots drew mixed reactions all week long. While many consider the California band to still be a relevant hard rock band and were eager for news of another album, others were all too willing to pass them up as has-beens. We probably landed somewhere in between but only until the evening of the 18th when the band dispelled any notions that their best days were behind them. After kicking off with solid renditions of favorites like “Vaseline,” “Crackerman,” and “Wicked Garden,” the band conveyed the news that much of the frenzied crowd had been waiting for -- a new album is due in May. New single “Between The Lines” was followed by still more hits like “Creep,” “Sour Girl,” “Plush,” “Interstate Love Song,” and “Sex Type Thing.” The highlight of the evening (and arguably one of the top moments of the festival), however, had to be the first song of the encore when Robby Krieger from The Doors joined the band to perform “Roadhouse Blues.” A gimmick, some might say, but undoubtedly a once-in-a-lifetime opportunity to see a legend live in concert, even if for a handful of minutes. The fact that STP was in top notch form all night didn’t hurt either.



We Are Scientists at Emo’s Main Room (3/19): Chock-full of infectious hooks, memorable melodies, and humorous, self-deprecating lyrics, We Are Scientists’ 2005 full-length With Love And Squalor placed the New York band firmly on our radar and we’ve been following their development ever since. The setlist at Friday’s night official showcase gig at Emo’s understandably focused on their upcoming release Barbara (due in June of this year) and also included some choice tracks off 2008’s Brain Thrust Mastery. And although it was a tad disappointing not to hear some of our favorites off WLAS, we can report that the new material sounds very promising and was served up with typical gusto. Plus there was a special moment towards the end when a gentlemen was afforded a minute to get on stage and propose to the love of his life, who joyfully accepted. SXSW dreams are made of this!

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Comments [rss]

  • SXSW Music Woo.  It sounds very interesting I want to join..
    Maybe very cool!!
  • Not in our book! The band took no prisoners as they delved into their healthy catalog for a number of speed metal gems, reminding us why they are held in such high esteem by fans of that genre.
  • We probably landed somewhere in between but only until the evening of the 18th when the band dispelled any notions that their best days were behind them.
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