EAST Interview: Talkin' Trash and Treasure with Jaime Jo Fisher
Saturday, November 21 - Sunday, November 22
Various Venues (Austin)
Free, Saturday and Sunday 10am-5pm
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I love the description of your jewelry as “wearable collages.” How do you know when such disparate materials work together in a piece? Is there a trial-and-error element involved, or do the fragments come together more spontaneously in a unique whole?
The inspiration for my work begins with color and texture. My studio workspace is surrounded by containers and picture frames that all have potential collected, found, and purchased materials arranged into what I consider their appropriate color families. Imagine each frame or container is a stripe in the rainbow and houses a specific color of objects accordingly. As each piece begins, I am thinking about objects that have the same color or slightly varying hues of the same color to begin composing the disparate pieces together. The “story” or “history”, of the “stone”, the vintage or found nature, as well as the texture and surface finish are all considered when selecting the materials. My creation process is very organic as I combine and mix and match materials until they have an overall harmony.
What objects or materials have surprised you most in your work so far?
The plastic material used in my line of pillow pieces, such as the tiered pillow earrings and pillow brooches are all made from repurposed plastic. Items that were once shower curtains, rain ponchos, or a child’s pool toy are cut, hand sewn into pillows and transformed into a completely new identity. The plastic is one of my favorite materials to use. I love the idea of an item that was once practical and completely functional evolving into a funky wearable piece of jewelry with an edge of humor. My creative process comes full circle when my work evokes interaction between the wearer and viewer.
Are there any assorted objects you always keep around, just in case?
I have a stash of Cabbage Patch Kid doll shoes, vintage sequins and vintage glass cabochons, found orange reflectors, limpet shells, a few thrift store plastic flower vases in choice colors that I will cut a piece from and use periodically, a collection of gifted or found coral, several bags of rubber grapes in red, black and acid green, as well as bags of collected goodies from travels of close friends and family, just to name a few.
In my line of found object resin earrings and brooches, I would scavenge for items that had characteristics that would show a beautiful color or texture “under water”. I loved the thought of using something that seemed odd, quirky and atypical in jewelry. I looked at everything as a possibility: tiny pieces of cut up construction paper, moss, corroded copper wire, wallpaper and linoleum from a 150-year-old farmhouse, bristles from a toothbrush, thread from my favorite pink studio towel and, the infamous dryer lint. My best friend from Florida would include her dryer lint in my care packages
.she had the best color towels. My favorite color to use was the sage green lint.
You have a beautiful blog entry talking about the pleasures of eating from a carefully-crafted dish that serves as a functional work of art. In what ways does the work you do bring together certain ideas that people don’t always think to combine?
Some of the materials I use as “stones” in my work were once discarded, mundane and even considered trash. I embellish the stone settings with metal details that enhance and bring into focus the selected objects. I also oxidize my sterling silver designs giving the work a more natural organic feel while allowing the stones I use to become the focus of the overall design. In using these non-traditional materials in my work I propose the question to my audience, what is beautiful?
Your natural inclination to find inspiration in the everyday sounds not only artistically fulfilling, but fun. Any tips on sharpening our vision so we can better see the creative potential in everything out there?
Have an open mind when viewing the world. Look at things up close to see the detail and potential beauty that may not be obvious from afar.




