Austin Pride: ...Trail of Dead & Ghostland Observatory Recaps

It was quite the change from years past. The dusty fields replaced by a lush green meadow and now, the insistent rain to ensure that heat exhaustion was no longer an issue. A wet day two at the 2009 Austin City Limits Music Festival was never going to dampen the enthusiasm of the crowd, already enjoying Flogging Molly at the AMD Stage despite the relentless downpour during the late afternoon hours. En route to the Xbox 360 Stage for …And You Will Know Us by the Trail of Dead’s set at 5 p.m., we couldn’t help but admire the assorted rain gear, casting color below the grey sky. …Trail of Dead has been around for over a decade, starting out with just Conrad Keely and Jason Reece in the mid-90’s and plying their trade as a six-piece of late. Their catalogue encompasses a few different genres but the underlying aspect is that these guys just plain rock out. Be it ethereal soundscapes, punk thrashers, epic prog-rock, or the occasional tender ballad, …Trail of Dead deliver an amazing live show, two drummers and all. The locals kicked off with “Will You Smile Again?” and what followed was a 50 minute blitzkrieg consisting of choice tracks from the band’s extensive discography. Reece and Keely swapped vocal duties at times, each showcasing his distinct style via “Days Of Being Wild” and “How Near, How Far” respectively. While Keely seemed content swaying side to side, Reece pranced all over the stage like a man possessed, pounding his drums, picking up the guitar when needed, jumping down to the photo pit to sing to his audience, and even playing cheerleader occasionally. The highlight had to be the raucous “A Perfect Teenhood” although we were pleased that fellow Madonna selection “Clair De Lune” was included. All in all the band was in fine form and it is heartening to see them get some love from their hometown. They deserve it.

No conversation about successful Austin bands would be complete without a mention of Ghostland Observatory. The fact that the duo headlined day two opposite the Dave Matthews Band is testament enough to their ever rising star. Gone are the days of gigs at Emo's and The Mohawk, replaced by laser light shows, marching band cameo, and glowstick-clad fans galore. And fog machines, plenty of fog machines. Their usual opener "Piano Man" plunged an already impassioned crowd into pandemonium with Aaron Behrens continually twisting and turning to the pulsating beats supplied by Thomas Turner, caped in silver, as always. "Stranger Lover," "Sad Sad City," and "Shoot 'Em Down" were all served with aplomb and had the masses singing in unison and even selections off the largely disappointing Robotique Majestique were eagerly devoured by the throngs. The aforementioned University of Texas Marching Band made its appearance appropriately for "The Band Marches On" before "Silver City" capped a sizzling hour and a half feast of thumping electro-rock. It was just reward for the thousands who had braved the rain all day and it sure made the final walk through the treacherous and rather gruesome fields of mud a little less painful.

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Austinist is a news and culture website about Austin, Texas. We publish Monday through Friday, and also maintain a guide to local arts and entertainment events that we call the Weekly IST List.

Editor: Allen Y Chen
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