Austinist on the Road: Lollapalooza Day One Highlights

For our first 36 hours in town, Chicago sure did feel like Austin. Sunny and warm for a day, then dull and drizzly the next, and with nearly triple digit temperatures forecast for the weekend, we might have still been in the Lone Star State. On Thursday evening, we took in an Austin-centric show at The Hideout, a brilliantly named, secluded venue not too far from Wicker Park. Car Stereo (Wars) (who recently relocated to Brooklyn) and Neiliyo, along with Chicago's The Hood Internet had the audience bumping and dancing through the wee hours. Neiliyo was playing his second show in two nights in Chicago and seemed to have amassed quite a following, a female fan club even it seemed. After an abbreviated night's sleep, we dodged the rain and swung by The Music Lounge at the Hard Rock Hotel Chicago early on Friday only to find more fellow Austinites, this time Black Joe Lewis & The Honeybears lapping up the attention of the cameras at the busy Dickies gifting room. Less than an hour later, the band's soulful blues 'n' funk was casting a bright light on the first legitimate crowd of Lollapalooza 2009 on a dreary day one. The rain might have kept many away during the festival's first afternoon but nothing could dampen the spirits of this audience as Black Joe and crew delivered much adrenalin via a scintillating set. Still feeling a tad homesick, we decided to check in on DJ Mel at Perry's, essentially a dance club amidst all the live stages. It was coming down relentlessly now but that was no hindrance to the fans as they bounced around, especially when the Austin DJ busted out the early Depeche Mode classic "Just Can't Get Enough." A sign of things to come perhaps?


Austin based Heartless Bastards were next on our schedule. We waited through insistent screams of "Erika, I love you" and "Erika, dance with me" from a boisterous fan as Erika Wennerstorm and her band soundchecked and then duly churned out an hour of gritty southern style blues-rock. Impressive renditions of the anthemic "Out At Sea," the slide-guitar tinged title track from new album "The Mountain," and the delicate "So Quiet" were all included as Wennerstorm's voice resonated through Grant Park. We headed to the media tent after the set, treading carefully on the treacherous terrain, turned extremely slippery by the unending downfall, and appreciating the improvised rain gear (everything from trash bags to Bounty paper towels wrappers). Taking shelter in the QuinnStorm.com tent for a few hours allowed us to assist our friends at Roxwel with some interviews. The chat with Peter Bjorn And John was especially intriguing as the lovable Swedes discussed their opening slot on tour with Depeche Mode, one of their influences, and also the interesting methods they utilized to generate sounds for their music (a cheese grater and bouncing tennis balls).

Inspired by their comments, we finally mustered up enough strength to return to the park and duly headed to PB&J's performance where we were treated to tracks from their somewhat maligned new album Living Thing. The clap-along, sing-along friendly audience was immediately caught in the title cut's groove and the "Lay It Down" chorus had them pumping their fists. But of course, selections from the stellar Writer's Block release was really what they wanted and they were soon nodding along in agreement with "Amsterdam" before PB&J's breakthrough single "Young Folks" sent fans into pandemonium, with Peter Morén immersing himself in the crowd for the majority of the song much to their delight. We saved our energy for our personal favorite, "Objects Of My Affection" and it did not disappoint as the band slowed things down impeccably during the affecting lyrics "So I'm gonna give, Yes, I'm gonna give, I'm gonna give you a try." And it was great to see the band enjoying themselves -- as the song picked up again, Peter pranced around the stage with unbridled enthusiasm, and Björn Yttling, who had endeared himself to us by constantly pacing back 'n' forth in the media tent earlier with his bright green umbrella, just plain rocked out. Instant legend.


After a quick trip to the media area, we positioned ourselves stage left and waited patiently for most anticipated set on our schedule -- Depeche Mode. The band kicked off with three songs off their Sounds Of The Universe, taking advantage of the obvious zest in the air to sneak in new material up front. The industrial crunch of "Wrong" satisfied us early on as David Gahan urged on fans with shouts of "C'mon" and "Sing it." How many fans actually knew the lyrics to this stuff was still up for debate as even Gahan broke into a smile at the lack of response. Unsurprisingly, the crowd had settled down a tad but revitalized during "Walking In My Shoes" although Gahan's appeals to "Sing it" were still largely unheeded. But by now, Gahan was strutting around stage, even breaking out his trademark "clap," made famous in the video for "I Feel You." The easily identifiable synth melodies of "Question Of Time" and "Fly On The Windscreen" were probably the choice "80's moments" of the first hour as the band powered through new-ish classics like "It's No Good," "Precious," and the Martin Gore ballad "Home."


We were halfway through now and surely the large part of the set list had been questionable. Would the second hour deliver the music the masses had come for? The answer was a resounding yes. "Policy Of Truth" met with the largest response yet to Gahan's continued pleas to "Sing it" and a double shot from Songs Of Faith And Devotion (the powerful "In Your Room" and and the stinging "I Feel You") were true signs that the best was yet to come. And it did for the majority of the gathering with "Enjoy The Silence" as the band finally could sit back and let the fans sing the entire chorus of arguably their most popular song. The band walked off stage to huge applause after "Never Let Me Down Again" and although we were delighted to hear one of our favorites, we now realized there would be no live renditions of "Everything Counts" or "People Are People" this evening. Depeche Mode returned for an all too brief encore -- "Personal Jesus" had south Grant Park in a frenzy yet again with the tireless fans chanting every lyric, making up for the disappointing reception they offered "Stripped." A soggy, dirty first day was now over and we were left reflecting as we herded out to the streets, reassured that one of our favorite bands from the 80's is still a relevant and vital force in today's music scene.

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Austinist is a news and culture website about Austin, Texas. We publish Monday through Friday, and also maintain a guide to local arts and entertainment events that we call the Weekly IST List.

Editor: Allen Y Chen
Publisher: Gothamist

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