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Time Steps: ASW's Annual 10-minute Play Showcase

Time Steps: 11th Annual 10-minute Play Showcase
March 26-28 /Apri 2-4 / Th-Sa @8pm
Blue Theatre (916 Springdale Ave)
$10-12 / 454-9729 or info-at-scriptworks.org
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Tomorrow night, Austin Script Works opens their annual showcase, Out of Ink. This year's production is called Time Steps and is a selection of eight short works that were written during last year's ASW Fall Fling. Participating playwrights had 48 hours to pen a 10-minute play and were required to use the following "ingredients": The play must go backward, from beginning to end; Include a sudden dance break that causes a shift in the action; Include three things your mother told you not to do.


As always, Out of Ink boasts top-flight directors and a fantastic cast. To give a preview of this sampler box of talent, we've asked the eight winning playwrights the same four questions. Today and tomorrow we'll share their responses. First up to bat: Marshall Ryan Maresca.

Give us brief intro to you—an idea of who you are and what you're about.

My current project is writing fantasy and science-fiction novels and the upstream battle of publication. Most of my theatre work, beyond Austin Scriptworks, back when I did it more often, was with Vortex Repertory and the (now-defunct) Public Domain Theatre Company, as well as my own (also now-defunct) Disciples of Melpomene. I started writing plays in college, but I had always been strongly drawn to theatre since childhood. Novel-writing is my current passion.

Give the title and a very short synopsis of your play. Is this something you had in mind before the Fling, or is this a new idea that was inspired by the ingredients?

Ten Minutes Ago is about a suburban couple whose house is visited by a mysterious stranger, and the consequences of that visit. While I think the vague idea of it was brewing in my head beforehand, it didn't come together until the ingredients sparked things. I actually went through several ideas before locking into this one.

Which of the three ingredients was the biggest challenge?

Undoubtedly, the reversed-order ingredient. I knew that it was the ingredient that had to drive and structure the piece. The other two provided texture, but that ingredient was the backbone. If I couldn't make it work, the piece would fall apart. At one point, I toyed with the idea of actually having it go in reverse line-by-line. I got about two pages into that before my brain broke.

Did you write the play forwards and then reverse the scenes, or did it come to you in backwards order?

I wrote the play straight through as it is performed, which is backwards... but I had already figured out the structure of it once I knew what the idea was. Once I started actually writing it, I knew already how it began and ended (or ended and began, as it were), so it came out in the order it appears on the page.

Time Steps runs two weekends only, Thu-Sat at 8pm at the Blue Theater. On deck: Meg Haley.

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