SXSW Film Review: Garbage Dreams
Directed by Mai Iskander, Garbage Dreams is an unflinching and honest portrayal of the Zaballeen community. When the documentary starts with vivid visual description of the work of the Zaballeen—picking up trash, slicing off the lids of aluminum cans, transforming plastic bottles into recyclable fluff—you're just about thinking, "This is no way for people to live," and then the film takes a turn, explaining that the Zaballeen are about to lose even this marginal and seemingly unhygienic method of subsistence. Egyptians have begun hiring foreign trash companies to pick up their garbage, preferring a more "modern" method of disposal to the old-school dependence on an underclass to perform the function. The Zaballeen community tries to mobilize to fight this challenge, but the movie makes clear that not every David vs. Goliath tale ends with a slain giant.
Like Slumdog, the movie follows children who live in what can only be described as slum conditions. Unlike the Oscar winner, however, this movie shows how people who live in this type of a world struggle to maintain their dreams for a workable community future, even as those dreams seem impossible to realize. No deus ex machina in the form of game show steps in to save Adham, Nabil, Osama, and their fellow teenagers, who have grown up as trash sorters and have to re-think their futures in the face of the threat from foreign companies. Some of the most heartbreaking scenes in the film come when Adham and Nabil visit Wales to see how a Western society deals with its trash. In a recycling factory, Adham can't believe how much of each piece of trash the process seems to waste. "Here there is technology, but no precision," he observes.
Garbage Dreams allows its subjects their dignity, and by the end of the film, the trash-piled streets where the Zaballeen live, which initially seemed terrifying and dirty, start to look like the site of a community eminently worthy of preservation. Danny Boyle, take note.
Garbage Dreams had its world premiere on Sunday, and will screen again on Thursday, March 19th, at 4:30pm. Check SXSW listings for information.
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