Lights And Music: Austinist Interviews Cut Copy

CutCopy(2).jpg
Image via Cut Copy's MySpace page. Photo uncredited.
After causing a modest stir with album Bright Like Neon Love and tour support slots for Daft Punk and Franz Ferdinand, Melbourne's Cut Copy finally hit their stride in 2008. Their latest album In Ghost Colours went to #1 in the group's native Australia and received glowing reviews worldwide. The band's appearance at SXSW 2008 kicked off a feverish year of touring that winds down with one last US run this month. Austinist spoke to Cut Copy guitar and bass player Tim Hoey while the band prepared to kick off their tour last week.

This is the third time you've been to Austin in the past 12 months, and this show at Stubb's kicks off a bit of a victory lap tour for In Ghost Colours. Why come back for another round of shows now?

I guess that we could! Like you said, the record really took off in the US and expanded our audience here. So we're back to do a proper headline tour. I guess the last two tours have been co-headline tours, so this is the first one with us up front. We felt that there were still people here that hadn't seen us live yet, so why not come back one more time?

You've played some huge festivals and big gigs for this album. Is there one experience that stands out as the highlight of the tour?

I'm not sure - I think that the tour around Coachella was exciting - we got a really good response there, and then we started getting some of the press back on the album, and things started to snowball from there. But I don't know - we played so much last year, that a lot of times it all blurs into one. The good thing is that we've grown so much in that time, that the whole year felt light a highlight - there weren't times where things weren't going so well or anything like that! It felt like we were growing organically as well, so it was great.

One thing that surprised me last year at my first Cut Copy show was how 'non-electronic' you are - there's a lot of live instruments onstage, and you let the songs be a bit different to use a live backline in your concerts. Did Cut Copy start out this way, or was it a recent development?

Yeah, we've always basically done it that way. I guess the records are a combination of live instruments and - well, the machines, I guess you could say! But we play everything that we can, and we bring the machines, and let them do the things they do live as well. But we grew up going to see bands, and I think it's just more engaging to go and see a band as opposed to catching a DJ. We do love DJing as well, but we try and keep that separate, really. It's just a more engaging way to put together a show.

It's interesting, too, that many bands that may have influenced you like New Order and Kraftwerk had a reputation for being dull live acts or difficult bands to watch despite their great music. Cut Copy doesn't seem to have that problem now, but did you in the early days?

I think we always tried to right from the start. We realized that the more the crowd got into it, the easier our job was going to be, and that it would even take some of the focus off of us if the crowd was going a bit crazy. So it's always been the goal to get the audience involved, and it generally hasn't been too hard. We enjoy that challenge, especially when you're a support act, where it can be quite tough. We have the odd gig sometimes where it doesn't work, but usually we get the crowd involved. I think they [the audience] appreciate it as well, because they're included a bit more. It's funny - when we first came to America, we had heard that crowds were stand-offish, and that nobody danced here, but we've found it to be quite the opposite.

Do you have any recollections you're willing to share with us about SXSW 2008? It seemed like you played about 10 times here last year - how was that experience for the band?

It's crazy - it's like a giant sports carnival or something. It's kind of funny being here today when it's not on - I can actually walk down the street and get into restaurants and eat!

Austin isn't always an epic parade of drunken rock stars is what you're saying?

That's exactly what it's like! But we've been quite lucky: we've actually had really good shows here at SXSW. We've heard other bands say that there's just too much happening and that it didn't benefit them at all, but I think that we got a lot of festival offers based off our appearances here. So we found it to be very beneficial. But it's nice to turn up a play a headline show outdoors outside of that conference - there's a lot more room to move.

We've read that the band are sketching songs now for a new album, and that you'll be recording again very soon. Are you playing any of that material on this spring's tour?

We're not really playing any brand new material right now. We're playing a B-side that's never been in the set, and a cover, but we really won't focus on those new songs until we're finished with the tour. We talk a lot about the new material, and buy lots of records and gear while we're on tour, but until we're done, we don't know what those songs are really going to be. But we are excited to get home after a year on the road - we're exhausted. It'll be nice to get creative again and start on the next one.

One thing that sets Cut Copy apart is the optimism in your music - there's not a lot of that in indie rock these days. Is that a conscious decision to focus on that, or was that simply the way the last recording sessions went?

It's kind of a funny thing - we hear that a lot. But when you go back and listen to the lyrics, we have a lot of stories about love lost and that type of thing, but it's offset against this uplifting music with brighter chords. So it's that contrast that we find interesting - we think of bands like The Beach Boys who did it really well. They had melancholy lyrics but were really uplifting. These days, I think Phoenix are good at that as well. So we played upon that on this record. We like it that people have smiles on their faces as they're singing a song about a girl that's left them. (Laughs) It's really good.

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Austinist is a news and culture website about Austin, Texas. We publish Monday through Friday, and also maintain a guide to local arts and entertainment events that we call the Weekly IST List.

Editor: Allen Y Chen
Publisher: Gothamist

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