Traditionally a Spring Break haven, the island of South Padre was transformed into a (very, very) mini SxSW for three days with nearly 70 musical acts spread across eight venues. We made the short trip to Club Pelican West to groove to Brownout!'s concoctions with a diverse audience that covered many demographics. The Austin band, a largely instrumental alter-ego of Grupo Fantasma, charmed the attendees with a scintillating multi-instrumental onslaught of high-octane Latin funk, utilizing the conga, trombone, trumpet, and saxophone to great effect. Another Austin artist, Guy Forsyth, turned in a solid shift of blues and folk at the same venue. Dressed as inmates (and with a merch vendor in prison guard attire to boot), Forsyth and crew charmed with humorous banter throughout, referring to the performance as "prison radio for Huntsville" and the assorted Americana ditties motivated quite a few to make their way to the dance floor.
The highlight of day one however, was easily (and not surprisingly) Ghostland Observatory's set back at Schlitterbahn at 9:30 p.m., although the dance party triggered by Grupo Fantasma on the Bay Stage at Louie's Backyard at midnight was a close second. GLO's blinding laser light show and almost excessive smoke machine output supplemented the energetic delivery of classics like "Sad Sad City," "Shoot 'Em Down," and opener "Piano Man" which duly turned anticipation into pandemonium. Robotique Majestique tracks like "Heavy Heart," "Dancin' On My Grave," and "The Band Marches On" were also part of the exhilarating set.
There were only a handful of acts scheduled for the last day and the marquee act of the festival, Willie Nelson, closed it all out at Schlitterbahn on Sunday. A huge crowd, complete with reserved seating and lawn chairs had assembled to take in the legend's offerings and he didn't disappoint. Willie started off with perennial anthems like "Whiskey River" and "Still Is Still Moving To Me" and continued through with "Blue Eyes Crying In The Rain," "Good Hearted Woman," "Georgia On My Mind," and "Mama, Don't Let Your Babies Grow Up To Be Cowboys," satistying all in attendance. It was a perfect ending to three days of amazing weather, unending music, and countless Landshark Lagers. South Padre Island may never be the "Live Music Capital of the World" that is Austin but GamePlan Marketing & Events, the organizers of the SPI Music Fest proved that it could successfully host a diverse array of musical acts. Eight venues were possibly too many and maybe condensing the shows into fewer clubs could be a goal for the future; we were left hoping for a stage (or two) right on the beach to truly maximize the island's assets. And we can only imagine what further shenanigans could have been wrought if Schlitterbahn had opened up their wonderful slides and rides to take advantage of the 80 degree weather all weekend.





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