Pastiche: Boom and Bust

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Editor’s note: Pastiche is a bi-weekly column exploring the diversity within the Austin music community. The views expressed in Pastiche are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the IST network.

In what I guess was the precursor to this column, I made the argument for “anywhere venues,” reminiscing about how some of my favorite live music experiences happened not in the typical, “let’s stamp your hand with this glob of purple and acknowledge you with barely a monosyllable” bar scene, but instead in a home, art space, or other locale that has been transformed to accommodate a specific listening experience - whether it’s a sit-down acoustic set by a fabled singer-songwriter or a crazed punk rock house show. While it is great to salute experiences of this kind, I’d wager that the majority of your and my bouts with live music occur at the club/bar, and even occasionally the stadium. With so much music from which to choose in this town, our venue options are varied, shifting, and occasionally really weird (especially during SXSW).

And like anything else, settings for live music are easy come, easy go. The last year – heck, the last month or so – saw a few venues close their doors either temporarily or possibly forever. Let’s start at the top. In two short months, The Backyard ceases to operate in what was one of the most idyllic locales in Austin to see live music. From the (original) natural beauty to the high quality of the acts hosted (Belle and Sebastian and Willie Nelson ring out specifically in my memory), The Backyard, though pricey, really had it all. The outward crawl of businesses onto that particular stretch of 71 just adjacent to where the venue now stands is at best just a little sad, and at worst, completely gross. Couldn’t Home Depot have just up and moved a little further east? Damn.

Also on our recently deceased list are two much smaller joints, The United States Art Authority and The Opera House. A small mixed-use space, the USAA has had to deal with “unforeseen issues” involving permits, a sadly bureaucratic end to what could’ve been a flowering development on Guadalupe. While they do hope to reopen (we’ll see), The Opera House on S. 1st is also now homeless – though the art collective responsible for hosting that space over the last three years plan to continue the fight elsewhere. Heck, sometimes this sort of thing can be for the best. The Church of the Friendly Ghost, forced to abandon its initial place of prayer, is now a movable feast of worship at the accommodating, comfortable and much more official-feeling Salvage Vanguard theater where they now have a residency. Those old days out on Pedernales will always touch a heartstring, but the theater has allowed the Church to expand its programs, audience, and expose new people to new music.

Just as some venues seem destined for just a short time on this earth, others burn with a longevity that would stun even Cher. How can you, for example, chalk up Emo’s longstanding chokehold on Red River? Is it the well tempered bar staff, the clean bathrooms, or the terrific ambiance as best expressed by “spooky” clown art and a painting of Wilma and Betty from The Flintstones dressed in bondage gear and engaging in some old fashioned nipple-pinching? Is it the lack of anything we typically describe as civilized that makes Emo’s such a breath of (now smoke-free) fresh air to young people after 10 p.m.? Either way, the line outside on Saturday evenings keeps getting longer, the fans keep getting younger, and, maybe most tellingly, the tour buses (not vans, people) keep getting wider.

If we’re going to talk longstanding, though, we’d be amiss to mention that other clubs on Red River have had a similarly long shelf life, including but not limited to Room 710 or Beerland. And yet any old-school Austinite would rather regale you about clubs now since departed, from Liberty Lunch to the Armadillo World Headquarters. But instead of ending this column on that bum trip, how about calling out to some up-and-comers and, alternately, venues that we’d like to host more or just more interesting shows.

First up are the newer venues we’d like to throw a spotlight upon. The Monarch Events Center has been generating some buzz lately, and while you can’t count on them for rock shows every weekend, in just a month they’re hosting High On Fire. Whoa. And beating Emo’s for the filthy bathroom prize is The Broken Neck, a D.I.Y. establishment out on East Cesar Chavez and Springdale. With not much of a stage to speak of, a half pipe and a BYOB or nothin’ policy, it’s the new go-to venue for all of the hardcore and gutter-punk shows you could possibly want to attend.

And as far as that second category of venues, let’s throw Ruta Maya’s name into the ring. The great, under-appreciated Austin act Glass Eye played a show there two years ago, and had this to say in a blog: “We played at Ruta Maya tonight, & that place is really a secret gem that should be the "new" Liberty Lunch! It's decent sized, has a good sound system, great beer selection (& coffee/snacks etc), & plenty of parking. It was a fun show. We'll definitely be playing there again in the future & urge other bands to play there & also urge everyone to check it out!” What has happened since then? I witnessed one great performance (Mirah, some time ago) but more typically it’s a venue that caters to New Age/hippy-dippy shindigs like Tai Chi with Guy Forsyth (this is not made up) or NORML benefits. More like Mirah, please? On a less stoned tip, peeps swooned when Shearwater played The Central Presbyterian church a few SXSWs ago, and while they have some neat folk, jazz, and “spirited Jewish music” concerts planned, an avant-pop/indie rock show would change things up nicely. Just don’t expect it to be as fun as their talent show.

Do you agree, take exception or have a longwinded memory about The Vulcan Gas Company you’d like to share? Comment away!

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Comments (2) [rss]

I'm still pissed that none of those venues you listed allow dogs. Speaking of, does your band want to play my birthday party, 10/4? I have one or two others, and Tyson thinks he can get a PA.

I don't know why I thought this would be the best venue to ask, but here's to alternate venues!

Still pissed? I didn't know you were pissed at all. But hey, it turns out the very canine-friendly Freddie's on S. 1st has live music on their outdoor stage like three times a week. This month:

Thursday September 25th - Steve Power
Friday September 26th - Josh Allen and the Whisky Brothers
Saturday September 27th - Graham Wilkinson

Is this party you're planning going to be at our house?

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Editor: Allen Y Chen
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