Oh sure, there’s a painting at the center Yesmina Reza’s 1998 Tony Award-winning play, and a curious painting at that: it’s a completely white canvas with barely-visible diagonal brushstrokes. But Art is not about a painting.
The painting’s owner, Serg (Sean Martin), dropped 200,000 francs on the thing, and couldn’t be more proud of it. His friend Marc (Ryan Crowder) is abhorred that Serg would spend so much on what Marc considers “bullshit.” Their mutual friend Yvan (Nathan Jerkins), well, he’s got heavier things on his mind, like his upcoming wedding and a new job shilling stationary. Not that Serg and Marc will allow Yvan to remain sans opinion.
It’s the relationship between Serg, Marc and Yvan that is the true concern of Art. The white painting (“The Andrios” as Serg is fond of calling it, evoking the name of its fictional creator), is merely the catalyst for the exploration of that relationship and how decisions in careers, lifestyles, romances and philosophies have stretched it to the point of snapping. As the events of one tense night at Serg’s place play out, it nearly does.
But first, the yelling. Oh the yelling, yelling, yelling. While Martin, Crowder and Jerkins do a fantastic job of investing in emotions that have been bubbling under their characters for years, the return on that investment skews from concern and heads straight into unadulterated rage, at which point it’s tempting to scream back, “Calm down! It’s not about the painting!”
Art is the first production from The Penfold Theatre Company, the partnership formed between Martin, Crowder and Jerkins with the hope of opening and operating a professional theater in the north Austin metro area. ‘Art’ shows they’ve got the potential, they’ve just got to ratchet down the testosterone.

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