The Informed Drinker: In the Beginning, There Was Rum
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SXSW Announces a Couple Hundred More Showcasing Bands for 2010 [Lots of Austin Bands in the Mix]
Why We Don't Like You: Texas A&M Aggies
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Preview: Legs Against Arms EP Release [Club de Ville / Saturday]
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Which is to say that I not only respect him as a rapper, but that - and I think a lot of his fans feel this way - I want Bun to respect me back, even if that little man-date is never going down.
In his near two-decades in rap, Bun has evolved from, well, a very good rap artist to a rare sort of great, who brings a level-headedness to a music that is often great purely for how unrealistic it can get. You can toss the “conscious rapper” tag on him if you want, but none of the pejorative connotations of that phrase fit him, except that he is, yes, more conscious to the greater world around him than most. But his beats don’t suck and his core fans aren’t holier than thou and he doesn’t exist in some weird smart rap annex. No.
Bun shoots straight and rattles trunks.
Anyways, this is a long excuse for why I held off on listening to II Trill until yesterday, and I don’t know exactly how great of an album it is yet, as I’m still stuck on track 4, the gigantic "You're Everything.” Mr. Lee produced it and it’s the thickest thing I’ve heard since his last opus, even without the damage that Bun, Rick Ross and David Banner do in between the hooks.
I don’t want to get too much drool on these first four tracks. But it’s immediately apparent that Bun’s delivering on par with his best work in the past. It’s an amazing feat, even more impressive if you consider the great amount of strength it takes to even keep making art after Pimp C’s passing. And really what matters tonight, when he gets on stage at Emo’s, is not whether those 14 tracks I haven’t heard yet are great or garbage, but that Bun is out there performing in the first place.
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Thanks for trying to expose Austinist readers to this artist. That video clip, however, is useless. It's like a repeating series of shots of somebody about to get into a car in downtown new york, but somehow he never actually gets in. I guess this guy is from Houston, too, from his hat. But that's all I could get from the video.
Oh, well. At least Emo's (aka Stubbs Jr.) has given up any semblance of focus or genre.
Seth
my cash in his pocket doesn't just = weed.
What. the. hell?
Yeah, not quite sure what to make of that comment. And the whole anti Hip Hop vibe of this piece really erks me at least. The author seems to be discounting the work of people like KRS, PE, Rakim and a slew of others because apparently their beats suck because they are conscious in their message?
I think all of those artists you just named are great. However, the term "conscious rap" carries with it a lot of bad stereotypes, none of which fit Bun, but are sure to turn off a lot of potential listeners. The other side of that coin is if you just called him a "Southern rapper" or "trap hop" - once again these terms carry negative stereotypes that turn a lot of folks off, but Bun doesn't fit them.
And the "weed" comment was just a way of saying that he doesn't seem as easy-come, easy-go sort of guy as, well, some of the other rappers on II Trill. Not that that matters, or is necessarily true. But when I read about Lil Wayne's drug intake and lavish spending, I don't feel terribly compelled to "make sure the artist gets paid" or whatever, even if I do love his music.
I thought the 'conscious rapper' comment was directed toward the most recent incarnations of the backpacker style, and in that context it seems appropriate to me.
One of the rappers from SouthBound, Bun B's opener, got tased by APD after his set