The Accidental Gentrifist Announces the 2007 'Genties' (Award to be Named Later)-ies

Editors’ Note: The opinions and ideas expressed in The Accidental Gentrifist are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the Ist network.
Update (11/26): We totally forgot that our friends over at Misprint Magazine originally staked their claim to the term "Genties" back in 2005. Since we're far too delicate to accept Keplesky's offer of an old-fashioned misprint vs austinist knife fight, we're giving ours a name change. Stay tuned, or do our work for us and suggest a name in the comments section! -- Austinist Editor AYC
I can’t believe it’s that time again already, when we at The Accidental Gentrifist, with more than a little aplomb, dish out the 'Genties ': our awards for the best, the worst, and the cumulatively ineffectual aspects of East Austin Gentrification.
The Winners, the Losers, and the Draws, right after the jump:
[ + ] Grand Prize Win: E.A.S.T. (The East Austin Studio Tour)
As if art wasn’t fun enough already, E.A.S.T. puts the artistic industry of Austin a mere bicycle ride away, and places local icon stalwarts like Billy Bishop under the same banner as small contemporary galleries, local jewelry artisans, as well as unclassifiables like Leanne Venier. It also kinda gets artists off the hook as the precipitators of gentrification. The East Village model dictates that artists have no money, and thus tend to congregate in the best (or only) place they can both work and live well. Then people with money who want to adopt a cooler residential status buy into the scene and, by their sheer presence, ruin everything. Not that I buy into that, no pun intended, but E.A.S.T. defies niche mentality and incidentally subverts this idea by demonstrating that young art is a regional phenomenon, and even a small ‘scene’ is in fact varied and inclusive, and exists over a very wide swath of town. And some tour stops, such as The Rhizome Collective, are the antithesis of negative gentrification.
Or maybe I’m wrong and E.A.S.T. will be impossible in five years. Or skyrocketing real estate prices will force all the studios to become crafty, cottage-industry clones (again, no pun intended) of Architects & Heroes. Either way, it deserves appreciation in its present manifestation.
Win, 2nd Place: Action Figure
Matt Hovis and Mark Miks moved shop to the old Meat Purveyor site on Cesar Chavez, simultaneously nullifying the bad karma of millions of slaughtered cows while producing FameCast, an internet show that beats American Idol at its own game. Which is probably much harder to do than it sounds. Not to mention the beautiful irony of enlivening mass culture from a location where so many cattle met their end.
Win, 3rd Place: Rio Rita
The proprietors of Beerland have turned a house of ill repute into a coffee shop with a full bar and a homey aesthetic. Unlike any other offering in town, Rio Rita looks a little like grandma’s house, and makes it possible to go out without actually having to ‘go out’.
Win, Honorable Mentions: KRDB, for those four houses on Clifford. And while I can’t believe I’m listing any kind of loft or condo on the positive side of any conceivable table, I have to note 6th & Brushy. Compared to its hideous neighbors on I-35, this place is like the Sistine Chapel of container living.
[ - ] Grand Prize Lose: The Austin Police Department
Yes it’s a difficult job, and no, I don’t envy them or their position in this city. I mean, they get shot at, ’nuff said. But today we’re speaking strictly in terms of gentrification’s negative impacts.
Now, I’ve known for some time that Texan cops are a generally humorless bunch, and the new generation of Austin police in particular can be, well, prickly. And while the use of deadly force is often reasonable, if not necessary—the shooting of Kevin Brown last June seemed like a continuation of a rather ghastly standard operating procedure: Last March an officer was let go after firing at an unarmed suspect, one of his rounds hitting a van with two children inside. And the 2005 Understatement of the Year was when the police killing of Daniel Rocha was officially termed “avoidable.”
And regardless of trouble in the credit markets and the ubiquitous ‘Yuppies off the East Side’ wheat paste campaign, the East Side is gentrifying and will continue to do so. And regardless of whether or not you want to admit it, there are at least some measurable benefits. The main one is the aggregate effect on property value. The attendant cash flow, as well as structural and aesthetic improvements typically connected to the relocation of young, college-educated wage earners tends to reduce crime, sometimes simply by occupying a space that was previously abandoned, defunct, derelict or empty. Sometimes there is no site-specific, clear-cut improvement. But the overall trend is that increased presence of young families of any race improves the safety of historically crime-ridden areas.
The APD could adopt a more compatible attitude, one that sees violent crime on the East Side as another inevitable casualty of gentrification, one that will eventually succumb to the gradual transition. Essential to all parties accepting responsibility for these mixed-race, mixed-income neighborhoods is that transition from negative stigma includes a reduction of all forms of violence.
Lose, 2nd Place: Chestnut Commons. Speaking of punishable offenses, this place is an aesthetic nightmare, a paradigm of dysfunction. While it probably only looks like the sketchy neighborhood of tomorrow, it does make Mueller look like Hyde Park.
Lose, 3rd Place: Red House. Go ahead, make your drinks even more expensive, and encourage your bar staff to be even less friendly. I’m still not convinced it’s cool to drink on Manor. The spot-on Joel Mozersky decor almost lifts this place to a Draw, but not quite.
Lose, Honorable Mention: 11th Street Wells Fargo. How strange that this bank—a major and visible aspect of recent urban redevelopment—has no ATM. It’s almost as if it's its own tacit argument against dispensing cash on this block.
[ = ] Grand Prize Draw: Progress Coffee
On the plus side, their cold-brew toddy is probably the best in town, the menu’s interesting, and not only does the place have good art on the walls, it seems strongly committed to local art and culture. But those elements are counterbalanced by a long wait, a slightly overpriced sterility, and a very business-like atmosphere, probably due more to the clientele than the staff, who are actually more than likable. Progress heads the pack in this category because their plusses are hard to come by, while their negatives are reparable, and will hopefully dissolve with the passage of time, if nothing else.
Draw, 2nd Place: The 1305 Lofts. Plus: this project has turned a defunct space into a pretty little revenue-generator. Negative: Its construction has expelled the squatters from the former structure, freeing them to roam East 6th like modern-day Reagan Babies. Bums gotta live somewhere too, so I’m calling this one 50-50.
Draw, 3rd Place: El Chilito. Proof positive that location is more important than quality. But still, it’s there when you’re hungry, if you don’t mind the wait. If it's a rush you can watch poor Cute Girl #3 as she holds the fishbowl taqueria together almost single-handedly. On that note, would it kill the dellionaires to put a tip line on El Chilito’s credit card printouts? Oh well. My all-time favorite response to their tacos is still “Yeah, but what can you expect for $1.50?”
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