ACL Fest Day One Wrap-Up: Part Two
Spoon (6:30pm): So here's the thing about Spoon: they're a studio band. And on record, they're pretty much bulletproof for this decade. But the band also have a deserved reputation as a sometimes shaky live act, and such was the case for the show's beginning today. Britt Daniel and the band emerged without opening music or much ceremony, plowing right into a half-dozen tracks from new album Ga Ga Ga Ga Ga. But they felt somewhat tentative, even when they threw us a curveball by adding a four-piece horn section. Amongst all the new material, a couple of older favorites like "Jonathan Fisk" and "The Beast And Dragon, Adored" were thrown in to reward older fans. But everything changed with the first bars of the groove-laden "The Fitted Shirt." The band found their rhythm on that song and "I Turn My Camera On" and never looked back, focusing on older tunes during part two of the set to the approval of a huge AT&T stage crowd. Spoon are truly Austin's garage band made good, and while some jitters were evident early, it was nice to see them pull off a strong finish.
Dinner (7:20pm): For whatever reason, the line for Crunchy Chicken Cones at Hudson's was at least 100 people long, while next door, the queue for Salt Lick items was a mere 15 people. This made our decision easy, though we were sad when the patron in front of us grabbed the last sausage wrap until the next batch arrived 20 minutes later. Undaunted, we grabbed a pulled pork sandwich and ate and ran towards the Kaiser Chiefs.
Kaiser Chiefs (7:30pm): This was the indisputable highlight of day one. We arrived with only moderate expectations after feeling disappointed in this year's Yours Truly, Angry Mob. But the Kaisers have grown from a fun club act to a polished arena band since we last saw them in Summer 2005. Frontman Ricky Wilson was hellbent on winning new fans, and threw himself into the show with literally reckless adandon. Wilson fearlessly threw microphone stands in the air, swung his mic cord like a lasso, and charged into the front row of the crowd during the opening numbers. The new songs that sounded just OK on Angry Mob came across far better in a live setting, with the band selling the tunes as fun and punchy. The crowd was even inspired to pogo, and you had a sense we had all gone to England for 40 minutes. Unfortunately, Wilson's antics proved too much for him to sustain: after precariously climbing 30 feet up the stage scaffolding during "I Predict A Riot," he managed a safe descent, yet tripped and went crashing onto the stage while running back to the microphone. The fall seemed to twist or sprain his ankle, and all of the insane energy of the set's first half waned a little as the singer hobbled gamely through the rest of the show. Wilson couldn't help himself for long, though: by the closing number "Oh My God," he was trying to jump and dance along with the crowd on one leg! It was a treat to be so pleasantly surprised by an ACL set, and so we award the "didn't see it coming" spot of the day to the force of nature that The Kaiser Chiefs pulled off as a live act.
(Note: We love Bjork, and know she played last night. But we've seen her in a 250 seat venue, so our low energy level won out over watching her amongst a crowd of 25,000. It just wasn't going to beat the Harlem gig.)
The Killers (8:15pm): We sort of knew better than to look in on this, but it couldn't be helped. On our way out of the park, The Killers displayed a black-and-white five minute introductory video onto the screens—apparently, they were aliens beamed into a desert trailer park or something. It set the scene for the Queen-like scenario that ensued, as Brandon Flowers emerged dressed in a silver glitter suit complete with sparkle boots. A backdrop of white lights said "Sam's Town," but may as well have been borrowed from Moulin Rouge as it was so over-the-top and campy. We were exhausted, and the teenager and college-heavy crowd was getting a little obnoxious with shoving forward and spilling beer, so there was only patience enough to catch two songs before heading for the taxi ranks. "Sam's Town" and "When You Were Young" had the crowd's approval, and Flowers has (thankfully) learned how to work a large stage since we last saw him three years ago. But we couldn't help but feel that the best sets of the day had already happened for us, so we left to recharge for Saturday.
Photos via ACLFest.com. Multiple photographers credited.
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