The Death and Life of Wooldridge Square Park

Two weeks ago, Katherine Gregor's Chronicle column discussed a recent study by professors Louise Harpman and Jason Sowell from UT Architecture, sponsored by the Downtown Austin Alliance. The study concluded that Wooldridge Square Park (between Guadalupe/San Antonio and 9th/10th Street) needs more community support, event programming, and landscaping improvements. Wooldridge Square, along with Republic Square and Brush Square, was one of four public squares included in the original grid for the city of Austin (the other is now the First Baptist Church).
This week, Katherine gets closer to the real problem with Wooldridge Square Park, which is its context, not its content. Unsurprisingly, this is the subject of a different study, this one by the Downtown Commission, titled "Downtown DevelopĀment and Capitol View Corridors." This study discusses the fact that the blocks immediately east and northeast of the park (left and lower-left in the image above) have limited development potential because of an onerous view corridor, and as a result contain only surface parking and drive-through uses. As Jane Jacobs explained in The Death and Life of Great American Cities, the success of an urban park is dependent on a constant stream of pedestrian traffic, which results from a variety of pedestrian-friendly uses and destinations in the blocks surrounding the park.
Wooldridge has only one really good neighbor - the Austin History Center to the south. The Travis County Courthouse to the north and northwest has potential, but the building is currently configured such that it cannot be entered from the side facing the park. The remaining neighbors include surface parking lots, parking garages and a drive-through bank; all are unfriendly to pedestrians. The only dense use is an office building to the southwest, and it does not have any ground floor retail. Without nearby residential and retail space, Wooldridge has a view corridor, but no one to view it.
Image from Microsoft Live. Relax. Up = south in order to indicate that this image is used in a purely post-post-ironic hipster way.
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