Snapshots: Spoon @ The Mohawk
As the band launched into "The Two Sides of Monsieur Valentine" all was right, though. It quickly became apparent that sometime between sound check and taking the stage bassist Rob Pope's amp went on the fritz. Playing a hurried and distracted "Don't Make Me a Target", Ga Ga Ga Ga Ga's insistent anti-war tune, the band then took a break to switch out amps with one from opener Black Joe Lewis (who played a stellar, high energy set of retro cool blues and soul). Once the technical difficulties had been addressed the band tore back into their set with the new album's first single "The Underdog".
Oddly enough, the band played the tune sans horns, despite having the excellent horn section from Black Joe Lewis still in the house. Such an oversight (though who knows what kind of notice they would have had to learn the song) is the kind of thing that prevents good shows from becoming great ones, but sometimes you have to let things slide, especially in the face of what was an overwhelmingly tight set. Classics like "Rhythm and Soul" and "Chicago at Night" benefited from the band's greater depth of experience and the tighter musicianship that comes from years of touring.
New songs like "Cherry Bomb" shared the same expert treatment as the classics, lending them an immediate familiarity (even though the audience, many of whom were long-time local supporters had probably already been given the album from one source or another). The rain even seemed to sense the importance of the evening to the die-hards in attendance, holding off another of the summer's persistent deluge, releasing only a few drops here and there as a reminder of its beneficence. Closing the humid night's set with "Black Like Me", Britt Daniel and his band of roguish merrymakers Spoon had successfully taken care of their oldest fans for another humid Texas night.
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