Austinist Interviews: The Frank Mills
Only two weekends remain for local actors improvisers comedians hooligans The Frank Mills to bring you sketch comedy every Friday and Saturday in May, 8pm at the Blue Theater. The other day, we chit-chatted with Frank Mills member (and Austinist writer) Erika May about the show, improv in Austin, and some of Winning Dirty's more famous audience members. Here's what she had to say.
What's up with the name "The Frank Mills." Was Frank Mills a person? Or are you, like, frank (as in blunt), uh, mills (as in pepper)...?
It's the name of a song in Hair ("I met a boy called Frank Mills"), and it came up during the discussions for a search for a new name. We had burned through a bunch of other name suggestions, and this was the one that we all felt good about, for various reasons.
I'd still like to be in a group called "Finger Mustache".
Why did y'all decide to do a sketch comedy show?
We've been doing improvised shows for a while now, and wanted to challenge ourselves to write a full-length scripted show. We've all performed, directed or written for other sketch shows in the past (here and elsewhere) and had some improvised scenes that we enjoyed and thought would translate well to sketch.
Is there anything else like this in Austin right now?
Oh, for sure—and lots of variety within that too. Sketch is just like stand-up or traditional theater—what audiences see can be as different as the people that are writing or performing it.
In Austin, I've seen everything from a very loose collection of sketches that don't have a connection to one another to shows that are completely narrative. A lot of other cities tend to have just one style of show, so it's cool to see all these different approaches in one place.
Winning Dirty is thematic—kind of in the vein of old-school sketch troupes did in the 50's (like Compass Players)—the majority of the sketches are either directly or indirectly related to the show's theme in a revue-type format. In this case, the show's theme revolves around the lengths people will go to get their way.
I get the impression that at least some of the humor is political. Can you tell me more about that? Also, what're some of the other topics?
group called "Finger Mustache".
What are the challenges of doing sketch every week, twice a week? Is it harder to feel like you're keeping things fresh—as compared to improv, for example?
It is challenging, but it's also fun. We'll put a show up one night and some scenes really hit, but the next night's audience might not laugh as much. If we see sketches that consistently weaker than the others, we talk about why we think that's happening and tinker accordingly. It's a comedy nerd dream—talking about what makes something funny and bitting out with each other to make it funnier. Sometimes the tune ups work, and sometimes the sketch has to go back in the shop.
As far as keeping things fresh, I think it's harder than doing improv. In my opinion, so much of comedy is how a line is delivered by a character vs. some nutty premise. That means you really have to be present in the scenes to keep the reality of the response when doing scripted stuff.
Is the show the same every night, or do y'all switch things up based on audience vibe?
We switch em up! The second weekend's show will be different than opening weekend by a few scenes (ala the post-show discussions I mentioned earlier). I'm hoping that doesn't change from here on out.
It's a lot to ask of our lighting/tech director (Kacey Samiee) and musical director (John Ratliff), but they have been super gracious about rolling with our changes.
I heard Jim Hightower was in the audience! Did you find out his response to the show?
Yes. He said "keep it up". I'm not sure if that means he liked it, or just meant that we should keep doing it to keep us off the streets. We're hooligans.
The Frank Mills present Winning Dirty
May 18/19, 25/26 Fri-Sat at 8pm
The Blue Theater
$15 / Call 415-2896 for reservations.
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