Austinist Show Review: Trail of Dead

Contributed by Phil West
Austin band ..And You Will Know Us By The Trail of Dead, in its decade of evolution, has long had a reputation for controlled (and sometimes out-of-control) chaos in its live shows as one of its hallmarks. Back in the day, the band would make shows at now-defunct venues like the Blue Flamingo and Liberty Lunch just that much more interactive. We still remember the Lunch show, for instance, in which Jason Reece flung random objects off the stage, including a half-full beer can which found its way twenty rows back, hurtling over the heads of the audience only to fall on an unsuspecting woman's breast.
Like many of us, Trail of Dead find themselves older and thicker, but still entirely capable of generating chaos. Though this past Wednesday’s show at Emo’s featured several songs off the new So Divided, the show was surprisingly dominated by the jittery 1999 Madonna album.
The new album is the source of some perplexity among fans, including a fellow Austinist reviewer who accused the band of delving dangerously closer to prog-rock land. Trail of Dead has evolved to the point where what they’re doing sounds capital-I Important, even if their decisions over the last two albums are making the band harder to consistently trust.
Photo by Quinn on Trail of Dead's site
The first two songs at Wednesday’s show, “It Was There That I Saw You” and “How Near How Far,” from 2002’s Source Tags and Codes, may be the apex of the band’s output even if they continue on for another decade. On those songs, singer/guitarist Conrad Keely displayed the traits that make that album so incredible – a constant high-wire tension between soothing and bombastic passages, arranged in an almost-symphonic way.
The show, from there, shifted into So Divided land, with “Wasted State of Mind” and “8 Day Hell” – an excuse for Keely to get some of his other bandmates (from alt-country group Brothers & Sisters, who Keely’s sidelining with) up on stage to sing backing vocals. Initially, the pair (who we snarkily pegged in our concert notes as “Mountain Man and Rock Girl”) stood on stage with all the comfort of people who had randomly won a radio contest, but settled in by the second song.
But, then, the show shifted direction again with Reece emerging from behind the drum kit to take the microphone for “Caterwaul” and “Homage,” a pair of songs from the more relentless pages of the Trail of Dead catalog. Introducing himself with a call to forget the “niceties” of the prior songs in order to “get evil,” Reece prowled the front of the stage and let loose some karate kicks and somehow – perhaps because 1991 was in town for the holidays – triggered a mosh pit which transitioned the show into its four-song Madonna finale and a hurried encore of “Will You Smile Again For Me?”
And while it wasn’t the frenzy of thrown objects it has been in the past, the set’s final half was still full of the unsettling approach that makes Trail of Dead so worthwhile – a shuffle of tempos and intensities that keep even the most familiar in the audience off-balance, refreshingly removed from the rock cliché predictability that far too many bands find it harder to resist as they get older.
Comments [rss]
-
overrater
-
josh
-
Math
-
mary
-
josh
-
Grape Ape
-
dan skarbek
-
dan skarbek
-
i'm not gonna say.
-
adi
-
i'm not gonna say.
-
ttrentham
-
adi


