
*The views expressed in Truesday
are those of the author and do not represent Austinist
as a whole. Thank heavens.* -The Editors
It always seems that when life is at its best and most hopeful, that we get an unwelcome visit from the reaper.
Because let’s be honest, there are some rather welcome visits from that sick and almost romantically twisted sonuvabitch. You don’t have to admit that out loud. But you should go ahead and admit that little sordid morsel to yourself.
So I was wandering along last week, minding my business, like being vodka-blind at some kids’ house party where everyone was really friendly (except for that one chick who kept freaking the fuck out because there were cops somewhere or some shit), thinking up Halloween costumes, or pretending to play the ol’ futbol, when I heard that there was a serious death going down. A real honest-to-allah seizure in the community that wasn’t projected to end well for anyone who gives a shit.
And now I feel like I should say a couple of brief words in remembrance.
Dear Gallery Lombardi,
I have just been informed that you will be relinquishing the space in which you previously resided in order to further the human mass growth of our city’s vertically challenged downtownal region. I would be remiss if I weren’t to admit that your departure is, well, bitter sweet.
The bitter part is pretty obvious: I always had a good time on your dime. Your establishment was always a kind host to the most interesting of artists/characters currently living here. Them having to find a new home pains me. Things I loved about you as a venue:
1. Throwing [love] at the trains as they slowly chugged past
2. Using the entire train track wilderness as a [rainbow] (indoor [rainbows]? Never saw one)
3. Back when you used both sides for exhibition, and would open it all up like some abandoned warehouse party
4. Unwavering support of all local artists, bands, DJs, ‘media collectives’, bums and anyone else, even if they were just plain awful. Because that’s what a real community DOES.
5. Those earlier AMODA events were the total shit, and I still daydream about similar shows happening in the future
6. For being cool about that one time I totally lost my shit and got, quite literally, table-flipping drunk just because I wanted to see what fifteen half-consumed drinks would look like if they were to take flight across an extremely crowded lounge area [keep reading below because the words will actually explain that this particular event did not occur on Lombardi property! Reading is fun! Okay then!].
Oh, wait. That last one was for your Red Bull & Vodka-soaked neighbor. Yeah. Sometimes a man just HAS to throw shit around. It’s nature, chemistry, pipe-cleaning or whatever. Bygones.
It is rather bitter to see you leave your current location after all that we’ve shared together.
The sweet part is a little more difficult to put into words. I could get granular about the self-defeating philosophies of most self-funded and insular art galleries/promoters, but I’d have no fucking clue what I was talking about, and I’d probably end up looking as stupid as I usually do.
So I’ll just outline the one single drawback that plagued almost every event I attended under your sagging roof. The events held amongst and around your gaping maw. The “[Shozbot]” parties where some sweaty, random kid (oddly enough, it was never the same dude twice) was manning the [BOWLING LANE] and ignoring everyone in line who didn’t heed the “recommended [BRIS]” written on masking tape and applied, as if by a blind and web-footed animal of some sort, to a rusting coffee can, next to a scribble-scrabble sign reading “[Shozbot] [BOOYEAH!]! We’re that awesome! Just for YOU!” And then my favorite person would launch into their I-might-be-cheeky-but-probably-not address to the thirsty line of [BOOYEAH!] wanters:
“Yeah, uh, I know the [BOOYEAH!] is [Shozbot], but if you could go ahead and [BRIS] a couple of [PAMPER]s for each sippy cup of warm [BOOYEAH!] you will inevitably wait thirty minutes to get and promptly drop on the ground, it’d mean a-lot to us. And by that, I mean you’ll actually get BOOYEAH! if you give us [IGGY POP’S ARMPIT]. Kind of like [SHANKING] it. Except we aren’t [PORKING] it. Okay. Back to pouring cups of foam for you to curse or cry at. [BOOM], people. Big [SNAKE HAIR EXTENSIONS]. Let’s see if we can manage to keep this line from moving all night. Awesome.”
Man, I’m seriously going to miss that fucking guy. Not sure exactly what it was about him that really got my goat. Got it, and beat it with a Pinto bumper. In reality, he was always just as much of a dick as any other mad-at-the-world asshole with a sliver of control. Like the pimply-faced kids at Burger King who hate their job, hate their parents, and really-really-really hate anyone who bothers them during their shift. That’s what the [BOWLING LANE] guy was like.
A goddamn teenage miscreant in training, convinced that he had to ‘endure’ the world when it was, quite sadly, always the other way around.
I used to dream of shitting in his mouth, that guy. His voice still echoes through my psyche, sometimes, whenever I visit a Midwestern bus station, Cambodian military prison, or anywhere else where violence and misanthropy regularly appear as conjoined twins. Because I ALWAYS ignore anyone who demands a “[BRIS]” when what they really want is a “[SHAKE ASS]ment”.
I hate to be a supreme dick about these things, but I’m a HUGE fan/supporter of the open-[KONG DONG STATION]/[Shazbot]-[BOWLING LANE] movement. So when that’s advertised, I get emotional. And if you pull the rug out from under me, you’ll be seriously messing with those emotions. So… fuck that guy, and anyone who defends him.
Him, sweaty: “dude, dude, dude. See the [BRIS] [DICKHOLE] there man? I need you to put in it or I can’t help you dude.”
Me, not really interested: “I [IGGY POP’S ARMPIT]ed at the [TUNNEL OF LOVE], like everyone else. It says ‘Shazbot BOOYEAH!’ on every shit-sign in this fire hazard. SHAZBOT. So when’s that going to happen?”
Him, serving up three frothies to a pair of no-[BRIS]ing, raisin nip’d bouncies: “hey man, it IS [Shazbot], okay? I don’t make the rules alright? I’m just trying to help you out.” Totally staring straight at breasts, grinning like a never-laid Special Olympics Pole Faulter. “You [BRIS], I [CRY WHILST LISTENING TO NEIL DIAMOND].”
Me, eyeing the frothies, noting the bouncies, “she didn’t [BRIS]. So... what the fuck?”
Him, still being a total fucking dickhead wannabe artist asshole who is ruthlessly hording the goddamn rights to a fucking [SHAZBOT] [BOWLING LANE], “yeah. So you gotta [BRIS if you want…”
Motherfuck that guy. Makes me pray for [bigger] tits.
Shit. Just typing this out is getting me all misty-fingered and whatnot. I miss you already.
Best of luck in the next life, lovely Gallery Lombardi. You were mad janky, but you were always worth it.
Love and inappropriate crotch rubs,
Truecraig.




Dear "author",
Please don't write anymore on this site. Better yet, please move back to where you came from. Your attitude is better suited in another city, like say Columbus, but not Austin.
If your #1 point about Gallery Lombardi is "throwing shit at the trains as they slowly chugged past", please get out of Austin now. "Just because (you) wanted to see what fifteen half-consumed drinks would look like if they were to take flight across an extremely crowded lounge area" is not how to act in a private art gallery - save that for your Texas State kegger.
Attitudes like yours ruin the reputation of the city. Keep Austin weird, not shitty.
- Resident.
I love people who express their opinion that other people shoudlnt' be allowed to have opinions. Classic "resident". I noticed you didn't put Austinite - so here's an idea, why don't you go back to where YOU came from.
sigh...
- throws cup of foam at resident.
Resident is exactly the kind of person who ruins art for artists. Most likely, s/he took exception to "...convinced that he had to ‘endure’ the world when it was, quite sadly, always the other way around."
R: Fuck off before I throw you at/from/under a train.
Personally I prefer art when I'm drunk. And perhaps making art by dispersing his paint on the canvas of the floor is Craig's way to contribute. Who are you to judge you bastard. I'm guessing resident of a facility of some sort, am I right?
Resident either a) is trolling or b) has never actually been to a Gallery Lombardi event. I can't think of any other explanations.
Craig is a plague (hey that rhymes) on Austin culture. Now that we have won the war on terror/drugs/education we can proceed to the war on intertron columnists that are actually entertaining which will be a sub-war of the war on senses of humor and ironic authorial/narrative tone.
LOL. Looks like "Resident" is takin' an ass whoopin' here. C'mon, at least try and defend yourself; we need some more laughs.
well, this is quite the imbroglio. wait, a second...
I thought I saw a gallery fight for its life
It was stark, served warm beer and was not too dignified
It’s where I saw an emo boy cry
Well you couldn’t be that gallery I adored
You don’t seem to know, don’t seem to care what free beer is for
But I don’t know need you anymore
There’s nothing where art used to lie
The Lone Star keg has run dry
That’s what’s going on, nothings fine I’m torn
You’re all out of beer, this is how I feel
I’m cold and I am shamed lying naked on the floor
Illusion never changed into something real
I’m wide awake and I can see the gallery is torn
The beer’s a little stale, and I’m already torn
So I guess the developers were right
Should have seen the capitalistic opportunity and not some holy light
To crawl beneath my veins and now
I don’t care, I have no luck, I don’t miss it all that much
There’s just so many beers I can’t drink, I’m torn
You’re all out of beer, this is how I feel
I’m cold and I am shamed lying naked on the floor
Illusion never changed into something real
I’m wide awake and I can see the gallery is torn
The beer’s a little stale, and I’m already torn
There’s nothing where art used to lie
The Lone Star keg has run dry
That’s what’s going on, nothings fine I’m torn
I want to note that for the first time since I started this column, I am changing a [this] post just slightly to accommodate a rather snarky Gallery Lombardi worker/owner/whatever who has, over the course of the day, become my best friend in the whole wide world. They aren’t very appreciative of what they refer to as my ‘beer story’, and appear to be under the impression that I’m a fraternaturd who brags about drinking warm lonestar.
Hm. Fuck it. Maybe they’re right! I’m cool either way.
Apparently my love for Lombardi is not reciprocated, and that's just dandy.
Again, for the record, I'm adjusting my entry just slightly to accommodate a venue that has done right by local artists for years now. I wish no harm on them and theirs.
Feel free to question my journalistic integrity as a result of this adjustment. But please remember: blood from a turnip, algebra from mashed potatoes, and a picnic from a herpes outbreak.
Dear Craig:
Thankfully journalistic integrity was never on the table. I actually enjoyed the non-sequiter mad-lib Truesday a little bit more. Regardless, everyone is entitled to an opinion, still, some can just, as S. Dogg once put it, eat a dick.
Will the legacy of Gallery Lombardi live in the collective experiences of individuals who are free to cherish memories as they see fit... or will it be remembered more as a pile of rubble that serves as a base for luxury condos that was once a nice spot to party run by thoughtful, cultured people who, in the bittersweet transcience of urban life, abandoned their artistic ideals to become petty, whining thought police? What's the fun in life if you can't take the piss every once in awhile?
Thanks for the alterations...
I meant "transience."
BTW: The Natalie Imbroglio rip off was excellent.