The following review was written by Austinist foreign correspondent David Cheng, who's off cavorting with ill-mannered expats in Southeast Asia. We would've published this sooner, but we forgot. -- The Editors
We want to start out this review by saying we "heart" Zach Braff. We’re a huge
fan of Scrubs, so much so that we’ve seen every episode at least
three times. We loved Garden State, and not just because Natalie Portman
was so very loveable in it. And, hell, even Zach’s preferences in
women are similar to ours (Mandy Moore, the aforementioned
Portman). So why did we find The Last Kiss to be a polished bigscreen
version of Lonelyboy15?
The Last Kiss (directed by Tony Goldwyn) is about poor Michael (Zach
Braff), a hybrid car-driving architect who, at the film's start, is in a serious relationship with his newly-pregnant girlfriend, Jenna (Jacinda Barrett). When Michael finds out that she's with child, he reacts like most
men would, and tries to bang woo the future Wonder Woman herself, Rachel
Bilson, aka Kim. Kim is a nubile sophomore at the local university whom
Michael met at a wedding.
Michael isn't alone in his 30-something angst, however. Like all Gen-X
male fans of Fallout Boy, Michael's friends are all similarly stuck in their own quarter-life
crises. There's Sap #1, a guy whose name we forget, but he reminds a lot of our
buddy Evan, who used to professional baseball in France and is now a full-time law and business school student at Northwestern. Sap #1 can't get over his ex-girlfriend. And there's surfer
dudebra, who apparently also has commitment issues, as accentuated in the film's racier R-rated
scenes. And, finally, there's Casey Affleck. The Austinist is going
on record to say that we like Casey; he's a decent actor in his own right,
and if his brother wasn't such a doofus, Casey would be a bigger star.
Casey does well in his role as Sap #4, who has a newborn child but is
contemplating leaving his insufferable wife.
All the situations we’ve listed above aren't very interesting. You see, that
men are commitophobes isn't some earth-shattering discovery -- the theme could be covered easily in an episode of Two and a Half Men. A t most, a
two-parter. The most interesting subplot in the film occurs between
Jenna's parents, played by Blythe Danner and Tom Wilkinson (who, by the way, is slowly
turning into the older, stouter Liam Neeson, which is a compliment). After
thirty years of matrimony, the marriage starts to unravel as the passion
between the two begins to fade. But since nobody really wants to watch geriatric
relations (unless they star Steve
Guttenberg), we're stuck with Michael and his "problems."
Boo hoo.
Directed by Tony Goldwyn, The Last Kiss was based on an Italian film of similar name called "L'Ultimo
Bacio." Goldwyn does an even-handed job, even if his
choice in music revisited much of Garden State (possibly a Braff
influence). Regardless, good for you, Tony! You've come a long way
since getting
killed by that plate of glass in Ghost. Paul
Haggis, who "wrote" The Last Kiss, won the Oscar for saying that racism is bad
in Crash and then did a cameo on Entourage that was about 1/100th as cool as
James Cameron's. Perhaps you should've kept doing Facts of Life, Paul.
Ultimately, the real issue with The Last Kiss is that it
really cheats the women in the film. The idea of
"fear of commitment" isn't monopolized by men, nor does the theme of
quarter-life crises affect only the XY-carrying constituents of today's disillusioned
young adults. Except for Jenna's mother,
every woman in this film is weak, underdeveloped, stupid, or all of the
above. Jenna almost escapes this, but her character seems so mature, so
forgiving, and so perfect that you just don't believe her nonsensical
actions. Clearly, the character was underwritten, but kudos to Miss
Barrett for trying to act her heart out. The Last Kiss is a flawed movie
with flawed characters. But the soundtrack? Wow. We’re going to listen
to it while we update our MySpace blog.



Post a comment (Comment Policy)