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Truesday: Everyone Loves the Rub 'Round Here

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*The views expressed in Truesday are those of the author and do not represent Austinist as a whole.* -The Editors

Three weeks. Three measly weeks remain. Come March 16th, the streets of downtown Austin will be overrun with blizzards of cigarette butts and the remnants of thousands of out-of-towner’s sense of pride. Brutalized by the infinite lines, pro-payola door help, probable over-consumption, and potential police mistreatment. It’ll be like Vice City, but without the ocean view.

That’s right. This is my second column about the festival. So what? In case you’re unaware, Austinist STARTED at last year’s SxSW, so forgive me, and the rest of us here, for being a shred partial to the thing.

Besides, it’s quite the phenom, even to outsiders. People of strange native tongue. From foreign lands, far and wide, all fairly represented by servers full of Myspace bands’ MP3-strewn pages and the CD Baby catalog. As of February 4th (thereabouts, the list has probably since changed), we have the following earthly exhibitors rolling our way next month (outside of one “Plutonia” entry, which I haven’t decided whether I hate or not):

The United Kingdom........118
Los Angeles.....................76
Canada.............................75
Australia...........................24
Japan................................19
France..............................12
Norway............................12
New Zealand....................11
Sweden............................10
Ireland.................................9
Denmark.............................6
The Netherlands.................5
Iceland................................5
Finland................................4
Germany.............................3
Belgium...............................3
Italy.....................................2
Uzbekistan..........................1
Yugoslavia..........................1
Turkey.................................1
Mexico................................1
Luxemburg..........................1
Czech Republic...................1
Brazil...................................1
Russia.................................1
Latvia (for seriously? Fuck YEAH! )...............................1
Iran (nukula-what? That’s what I thought)......................1
Congo (the plane flight must be MISERABLE to here)......1
Pluto (may the good lord bless the assholes out there)...1

They’ll come from everywhere, just for their shot at… excessive drinking? I really don’t see the draw. I mean, that’s 329 bands (about 25% of total bands showing up) from relatively normal foreign places, and then 406 (approx. 33%) if you include Los Angeles and Pluto. Hundreds of plane tickets. Thousands of miles. Tens-of-thousands of dreams. The numbers that I could attach to these travelers would probably be staggering.

But staggering research isn’t my intent, and good thing too, because it isn’t my forte either. I just enjoy asking questions. Lots of annoying, pointless questions, shamelessly aimed at propping up a one-legged ego, long-battered and eventually fully-jaded to the idea of risking so much for such an empirically improbable goal...

Wait a minute. That sounds so… Man, check that mood for a second.

Hm. Yes, I see. Okay then.

Fuck, that sounded like the rusty, whining death rattle of a broken man’s dreams! As if the sun were setting on his banished pasture, and his bright days of rockstar opportunity were pathetically drifting into perpetual night! OH, THE HUMANITY!

But, whatever. I’ll still dish out questions like Casino El Camino plates burgers (steady grudging, with one sharply raised eyebrow). But my meals are decidedly more bitter.

What exactly is it that these bands are willing to travel so far to achieve? Are there REALLY that many deals that get signed over the course of the festival? Does anyone even have a fucking pen with which to put to a contract? And even if they did, would either party be sober enough for it to be binding?

I mean, fuck. Everyone in the “music biz” I’ve ever met at SxSW was only here for some combination of the following (keep in mind, I’m not judging, I’m just sayin’):

1 Random sex with anything “happening”, “HOTTT”, or “warm”.
2 Getting too drunk to sleep in own hotel room.
3 Getting too high to sleep in any hotel room. For a week.
4 Eat an elephant colon’s worth of chips n’ queso and/or breakfast tacos (in yo’ FACE Odam!).
5 To see some obscure band from Saskatchewan play a thirty minute noonish-set (always too hung over to actually make it though).
6 Bask in the glorious laid-back granola playground of booze-hounds and pretty faces that is: Austin.

That’s it. I’ve never met a single record exec who even hinted that they were here to find and sign the next Los Lonely Godawfuls (those San Angelo boys are fucking funny though, ever heard them in an interview? Good times!).

So that leads me back to my initial, rudely posited query: what the hell could possibly posses bands from places like Iran, Brazil, Latvia, and Uzbekistan (let alone Pluto) to make such long journeys to our little town, for such a loosely cemented event that guarantees nothing but faith-crippling lines, addiction-slapping smoking bans, and faith-hobbling singing-career disappointment? What could possibly be the draw if the probability of getting a record deal at SxSW is approximately the same as (if not less than) it is in the women’s restroom of any LES bar in Manhattan?

I have some ideas on that, which I will list immediately, but I honestly want to know what everyone else thinks. Call me curious.

1 Random sex with anything “happening”, “HOTTT”, or “warm”. Includes “self”.
2 Getting too drunk to sleep in own hotel room. Especially if they have no hotel room.
3 Getting too high to sleep in any hotel room. For a week. Or through their twenties.
4 Eat an elephant colon’s worth of chips n’ queso and/or breakfast tacos (in yo’ ASS Odam! Heelllooooo!).
5 To see some obscure band from Saskatchewan play a thirty minute noonish-set (always too hung over to actually make it though) with the intention of trying to put together a Postal Service-type collaboration with their lead singer.
6 Bask in the glorious laid-back granola playground of booze-hounds and pretty faces that is: Austin. Because it’s just too damn expensive to move here permanently.

Double the urgency if you’re from Latvia. Much love to the former Soviet Bloc states that are making their way here. You'll love Barton Springs this time of year.

Contact the author of this article or email tips@austinist.com with further questions, comments or tips.

Comments [rss]

  • There is no reason behind any action. No purpose, not for anything. Nor is there a God. All moments of art, love, and success are purely accidental.

    If I come off as nihilistic, that's because this will be my sixth SXSW as an employee of a venue.

    Mantra: You're here for a good time, not a long time. So know when to say when, and please, bus your own table. Thanks. And, just for the record, Platinum badges do not make you bullet-proof, nor impervious to vehicular manslaughter. I have seen proof of both.

  • I never intended to convey that I believed the musician's intentions were in any sinister. Quite the opposite. Circle-jerking instead of hustling for label attention is hardly sinister. A drop in nobility, perhaps, but far from sinister. You and I appear to be saying essentially the same thing(s) from different angles. Happens with me quite often.

    Which bands are you associated with there, Declan?

  • Declan McManus

    I don't think most of the bands who play expect to be woo'ed by record labels.

    If they're banking on the festival breaking them or getting them signed (at a minimum), then they're probably also hanging out at the convention center, giving out cds, collecting business cards, and trying to meet some new people.

    You know, those are the same things a small touring band would do in Austin, Wichita, Chicago, or Des Moines. Except, since they've timed their trip to Austin correctly -- they'll meet more than 5 people who are at least interested in the music industry as opposed to a random Tuesday night at Headhunters.

    I just don't think it is quite as sinister as you think it is, for most of the bands involved.

    On the other hand, all the cheesedicks who are in town from "the industry"? I can't say for sure, but I think most of them are here not to discover/sign new bands.

  • Let me get this straight, Costello. It's really just for the festival itself (the "different experience" of it all), under the guise of vying for record label attention (which is a 24-7 endeavor anyhow). Like a business write-off. Is it really a big ol’ musicians’ circle-jerk like that?

    Not that I mind. Shit, that’s how I’d see it. 1200 bands in four days is a bit much to expect to push through. But a good time? That’s always achievable.

  • Declan McManus

    The same question and reasons stand for why bands from Austin want to play San Marcos, Denton, Wichita, Lincoln, Des Moines, Portland, Nashville.. god the list could go on and on.

    The answer is:

    It's a fuckload of fun to see a new city.

    It's a fuckload of fun to play for 5 new people.

    It's a fuckload of fun to go and do something that your friends aren't doing because they're sitting around Side Bar (or Latvia's equivalent).

    Sure, those bands could come in July or any other time in March -- but the calendar winking at you saying "Oh, we must apply to SXSW" is a kick in the ass to book a trip to the Southwest for a lot of bands.

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