The Tonewheel Collective: Another Reason To Love Thursdays

*Update: this post has been revised after receiving some very helpful feedback.

owl.jpgFor a while now, we've been hearing good things about the Tonewheel Collective, a bi-weekly acoustic happy hour show on Thursdays hosted by members of some of Austin's best bands. Two weeks ago, we finally had the opportunity to experience it for ourselves. And, to put it succinctly: wow.

Members of Tonewheel include Jared Van Fleet (Voxtrot, Sparrow House), Martin Crane and Mark Ashworth (Ink), Nathan Stein (The Early Tapes; Tacks, the Boy Disaster), Red Hunter (Peter and the Wolf, and owner of local label Whiskey and Apple Records), Josh Permenter (Peel), and Bill Baird (Sound Team).

"The idea ... began to formulate with the band The Press, which even played under the name "Tonewheel" for its first show," recalls Jared, who currently plays in Voxtrot and has a promising solo side project by the name of Sparrow House (think Andrew Bird, sans professional whistling). "As that band split and we all began to concentrate on other things, the name Tonewheel seemed to stick for the group of musicians left in its wake."

Then, late last December, the lovely Rosa Madriz, proprietress of booking agency Green Potato Ventures, approached Jared, Martin, and Mark with the notion of collaborating on some sort of happy hour. Naturally, there was a perfect fit: the bi-weekly gigs not only were the perfect showcase for the growing collection of solo material that each had been writing yet never performing, but also brought this disparate group - each quite busy in his or her own right - back together.

Jared describes the attitude behind Tonewheel, which lacks an "official" membership, as one of "mutual respect and an equal partnership... King Arthur and all that nonsense," which we saw in exemplary form last time. Various members of half a dozen bands were periodically shuffling on and off-stage, depending on the needs of the current song being performed. Subtly sneaking in some mathematical magic, Jared abstracts, "Tonewheel, as it currently exists, is a very new thing, so I really don't see much of a difference between older or newer participants. It's kind of like we're all these big circles, and Tonewheel is the part of the Venn Diagram where those circles overlap. And in that space, the circles are squared, even."

Despite - or, perhaps, owing to - the wide spectrum of music available every evening, solo/acoustic gigs are a relative rarity in the late nights here, short of the occasional gigs you might catch at Flip's on Barton Springs. But a happy hour, as it turns out, is the perfect outlet for such a thing: post work, particularly towards the end of the week, all Austinist wants to do is share a few beers with our equally exhausted friends and unwind with something that'll take our minds away from the minutiae of the corporate workplace. Something, ideally, with a mellow banjo versus a driving bassline.

Every two weeks, the collective performs a fresh selection of material that includes original works and covers of old folk and country/blues songs obscure enough to render them unrecognizable to us, but conjuring to mind the likes of Woody Guthrie, Hank Williams, and Bob Dylan. References, though, are pointless in this case: Tonewheel is something you have to experience for yourselves. Check it out tonight -- we're pretty damn sure you'll leave with a smile on your face.

[The Tonewheel Collective]

The Tonewheel Collective
Beerland
Thursday, Friday 16th
7pm
FREE

Comments (9) [rss]

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Yeah, these things are pretty freaking awesome.

Martin Crane singing the blues was quite an amazing thing to see, as was the Red Hunter-led venture with pretty much all the boys mentioned above screaming/singing/cooing the chorus, stomping their feet, and getting down on stage.

If I were to list my top 5 favorite musicians in the world, three of the slots would definitely be occupied by those involved in these happy hours.

Sigh sigh sigh

And tonight! a band recently assembled by Mr Crane will play one of the many mini-sets tonight.

Love,
Tonewheel's unofficial (or official?) number one fan

P.S. I think I would say the "core members" of Tonewheel are Jared, Mark, Martin, Nathan, and that drummer guy Matt from Voxtrot, with all the others being "those involved on a significant basis."

i think there was a banjo last time. there was definitely a dobro.

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Tonewheel is generally great, except that they, like almost every other thrown together folky act in austin (peter in the wolf, etc) are a friendly boys' club that casually excludes females from performace. Its a pervasive trend throughout art and music though, so they can't really be blamed too much.

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is that really true? someone back this up!

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i don't know about other "thrown together folky" acts in Austin, but Peter and the Wolf has a revolving group of members, at least 3 of which are females who play prominent roles in the group. From what little I've seen, The Hobo Orchestra which backs Red is not simply some friendly boys club which casually excludes females, it is honestly inclusive of anyone who feels like being a part of it..

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seeing a bunch of hipsters change into torn shirts, muss up their hair, and bang on their pots and pans down at the rhisome collective the other night was irritating... one, because they're aping devendra banhart's act, and two, because it vaguely reminded me about soemthing i'd heard about marie antoinette once- how she had an entire miniature village built, complete with a flock of perfumed sheep, so she could play "peasant girl."

dude devendra aped that shtick from me, i been playin junk music forEVER! and the torn shirt was my friend lucas's who moved to russia, i wear it whenever it's laundry day. so bite me. but that marie antoinette thing sounds pretty cool.

ps
for the record, the peter and the wolf showcase at sxsw will feature an all-girl supporting cast, so there ya have it.

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Wow, those comments were so far from reality. Peter and the wolf (if you listen to the full-length) started as one guy and one girl singing love songs. then it added a bunch of friends to create a clamor onstage at bigger shows. Where did anyone get the idea that it's a boys' club? As for the reference to D. banhart, he has never to my knowledge performed onstage with trashcans and junk instruments; there's just no comparison. And those "hipsters" were actually members of lots of local bands including the ones that played earlier that night: ink, tacks the boy disaster, as well as locals peel, SOUND team, and more. it's just a bunch of friends supporting one of their peers' artistic vision. How does all this negative conjecture even get started? jeez.

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