Y'all Ready for This? (Movie Review: "The Aristocrats" )

In the nature of things, life is "solitary, poor, nasty, brutish and short." Few of us would agree with Thomas Hobbes' famous condemnation of humanity's default condition, and yet our days aren't all picnics at Barton Springs with puppies and rainbows. As long as life is less than perfect, jokes are conducive to happiness, if not out-and-out necessary. Taking features of the external world—from banana peels to sectarian struggle—jokes turn tragedy or banality into comedy. The laughs may be fleeting, but they're better than fruit-based refuse and sensitivity training.
But in another sense, humor is undeniably antisocial. Some jokes exploit our most basic assumptions about meaning, undermining our security for a silly gag. Others make light of the very situations that in real life cause us tremendous pain.
Penn Gillette's documentary ”The Aristocrats,” which opens in Austin on Friday, highlights these contradictions by providing a cultural history of one particularly dirty joke, and is much zippier than that description makes it out to be. "The Aristocrats" (the joke) can be told many ways, but most versions include, at minimum, six or seven unpleasant things: incest, bestiality, sibling rivalry, misplaced bodily fluids, rape, adultery, child abuse, elder abuse, misogyny, dismemberment, social climbing, delusions of grandeur, death, agents and/or aspiring actors. At the screening we attended, Austinist was particularly pleased to note the movie's broad-based appeal, and many theatergoers brought their children.
The movie covers dozens of versions of the joke, provided by mostly funny people, from well-known performers (Jon Stewart, George Carlin, Paul Reiser, Sarah Silverman, Rip Torn, an unrecognizable Drew Carey, an inexplicable Bob Saget) to obscure writer/producers (they're obscure). A mime tells the joke, to great effect, as do Penn & Teller, who have certainly recovered well from that time they were mauled by a snow-white tiger. It even includes a rendition by Robin Williams, who has long victimized Americans by foisting his tedious manias on audiences under the guise of comedy, and who is depicted in the film as an exile in the desert.
Those readers infected by the back-to-school spirit should rest assured that the movie provides plenty of food for thought, as it prompts one to think about why we find humor where we do. Even before the movie was over, Austinist was becoming more neurotic about senses of humor than ever before. For example, the woman sitting next to us, one-half of a pleasant middle-aged couple, got her biggest laugh of the evening from a throwaway joke about a restaurant patron who can't decide whether to send a priest seated adjacently a bottle of wine or a Cub Scout. Which wasn't at all the funniest thing in the movie. However, that is beside the point. "The Aristocrats" is fucking hilarious, which is reason enough to see a movie, we think.
Comments [rss]
-
odam
-
edward
-
Miggo
-
Allen
-
AEW
-
mark hammer
-
poe
-
edward
-
odam
-
Bre


